Zelter, CF (English spelling) ZelterCF

Japanese: Zelter,C.F.(英語表記)ZelterCF
Zelter, CF (English spelling) ZelterCF

…Finally, at the end of the 18th century, songs began to flourish again. The factors behind this new development were, first, the development of lyric poetry, which turned from the moralistic tendencies of the Baroque era toward a new contemplation of nature and life; second, the appearance of the piano, an instrument that supported the voice and performed psychological and descriptive functions; and third, the demand for salon art that accompanied the rise of civil society. The remarkable development of the 19th century Romantic lied, which began with Johann Friedrich Reichardt (1752-1814) and Carl Friedrich Zelter (1758-1832) as pioneers and continued through Schubert, R. Schumann, Brahms, and H. Wolf, was in line with this trend. Among the poets favored by these Romantic lied composers, Goethe was at the top, followed by Heine and Mörike. …

From [Chorus]

…Amateur choirs were born, and many easy-to-understand yet excellent choral pieces were composed for them. The Berliner Liedertafel, a male choir founded in Berlin in 1809 by the German composer and educator Carl Friedrich Zelter (1758-1832), the Orphéon, a male choral association founded in Paris by the French music educator Guillaume Louis Wilhem (1781-1842), and the Glee Clubs founded in England have played a major role in today's choral music. In Japan, glee clubs were founded at Kwansei Gakuin University and Doshisha University in the middle of the Meiji period, and the Wagner Society of Keio University was formed in 1902. University choirs were the main focus, but choirs of like-minded people were born, including the Tokyo Madrigal Society, founded in 1929. …

*Some of the terminology that mentions "Zelter, CF" is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

Japanese:

…ようやく18世紀の末から歌曲は再び興隆期に入るが,新しい発展の要因となったのは,第1にバロック時代の道徳的傾向から転じて新しい自然と人生の観照に向かった抒情詩の発展,第2に心理的描写や叙景の機能を担って声を支えるピアノという楽器の登場,第3には市民社会の勃興に伴うサロンの芸術への要求であった。ライヒャルトJohann Friedrich Reichardt(1752‐1814)やツェルターCarl Friedrich Zelter(1758‐1832)を先駆者として,シューベルト,R.シューマン,ブラームス,H.ウォルフにいたる19世紀ロマン派のリートのめざましい発展は,この流れに沿うものである。 これらのロマン派リートの作曲家たちが好んで取り上げた詩人の中ではゲーテが首位に立ち,ハイネやメーリケがそれに続いている。…

【合唱】より

…アマチュアの合唱団が誕生し,そのためにやさしくしかもすぐれた合唱曲が少なからず作曲された。ドイツの作曲家・教育者であるツェルターCarl Friedrich Zelter(1758‐1832)によって1809年ベルリンに結成された男性合唱団リーダーターフェルBerliner Liedertafel,フランスの音楽教育家ビレムGuillaume Louis Wilhem(1781‐1842)がパリに創立した男性合唱協会オルフェオンOrphéon,イギリスに結成されたグリー・クラブなどが今日の合唱音楽にもたらした役割は大きい。日本では明治の中ごろに関西学院大学と同志社大学にグリー・クラブが誕生し,1902年に慶応義塾大学ワグネルソサエティが結成され,おもに大学合唱団が中心になっていたが,29年に創立された東京マドリガル会などをはじめ,同好の士による合唱団が生まれている。…

※「Zelter,C.F.」について言及している用語解説の一部を掲載しています。

出典|株式会社平凡社世界大百科事典 第2版について | 情報

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