Wackenroder, WH (English spelling) WackenroderWH

Japanese: Wackenroder，W.H.（英語表記）WackenroderWH

…Born in Berlin, he began writing at a young age, but struggled with the conflict between the rationalist and Enlightenment spirit of the times and his free inner and artistic spirit. During his university years, he traveled to Bamberg and Nuremberg with Wilhelm Heinrich Wackenroder (1773-98), a fellow townsman and fellow classmate who died young, an early romantic poet, and was fascinated by the medieval atmosphere and medieval Christian art. This experience and Wackenroder's religious and mystical qualities had a decisive influence on Tieck's inclination toward romanticism, and the artistic view expressed in his unfinished novel The Wanderings of Franz Sternbard (1798) can be said to be the crystallization of this. …

From the Nazarenes

...They were nicknamed the Nazarenes because of their unusual appearance. Their spiritual and theoretical foundations include Wilhelm Heinrich Wackenroder's (1773-98) "Exposition of the Feelings of an Art-loving Monk" (1797) and F. Schlegel's "Correspondence from Paris to Dutch Painting" (1803-05), which placed the purpose of art in religious symbolism, encouraged imitation of so-called primitive paintings from Italy, Flanders, and Germany in the 15th and early 16th centuries, and preached a return to Catholicism. They looked to Perugino, Raphael, Dürer, and others for their models, and sought subject matter in the Bible and medieval literature. ...

*Some of the terminology referenced in "Wackenroder, WH" is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

Japanese:

…ベルリンに生まれ，若くして文筆活動に従事したが，合理主義･啓蒙主義の時代精神と自由な内面的･芸術的精神の相克に苦しむ。大学時代，同郷･同窓の友で夭折した初期ロマン派の詩人ワッケンローダーWilhelm Heinrich Wackenroder(1773‐98)と共にバンベルク，ニュルンベルクに遊び，中世的な雰囲気と中世キリスト教芸術に魅せられる。この体験とワッケンローダーの宗教的･神秘的な資質は，ティークのロマン主義への傾斜に決定的な影響を与えたが，未完の小説《フランツ･シュテルンバルトのさすらい》(1798)の中で示される芸術観はその結晶であるといえよう。…

【ナザレ派】より

…その異様な風体からナザレ派とあだ名される。彼らの精神的･理論的基盤として，ワッケンローダーWilhelm Heinrich Wackenroder(1773‐98)の《芸術を愛する修道僧の心情吐露》(1797)や，芸術の目的を宗教的象徴に置き，15～16世紀前半のイタリア，フランドル，ドイツのいわゆるプリミティブ絵画の模倣を勧めカトリシズムへの回帰を説くF.シュレーゲルの《パリ･オランダ絵画通信》(1803‐05)が挙げられる。彼らはペルジーノ，ラファエロ，デューラーらに範を仰ぎ，聖書や中世文芸に題材を求めた。…

※「Wackenroder，W.H.」について言及している用語解説の一部を掲載しています。

出典｜株式会社平凡社世界大百科事典第２版について | 情報

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