...Therefore, since all seven notes are never used in the same melody, the seven-note pelogu cannot be considered to be the same as a scale. However, in the case of laras sléndro, since it is a five-note scale, the laras may be considered a scale. In South Indian theory, the seven-note scale is called sapta svara, but in reality there are also six-note and five-note scales, and there is no term that encompasses them all. *Some of the terminology explanations that mention "laras sléndro" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…したがって7音のすべてが同じ旋律の中で用いられることがないので,7音音列のペロッグを音階と同一視することはできない。ただし,ララス・スレンドロlaras sléndroの場合は,5音音階であるから,ララスを音階と考えてもよい。 南インドの理論では,7音音階をサプタ・スバラsapta svaraというが,実際には6音や5音の音階もあり,それらを包括する語はない。… ※「laras sléndro」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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