Pellipario, N. (English spelling) PelliparioN

Japanese: Pellipario,N.(英語表記)PelliparioN
Pellipario, N. (English spelling) PelliparioN

… At that time, Renaissance humanism was on the rise in Italy, and maiolica pottery was produced in various places in central Italy, such as Faenza, Florence, Urbino, and Gubbio, following the techniques of Hispano-Moresque pottery. In particular, with the emergence of Giorgio Andreoli (active around 1492-1553), a master of lusterware in Gubbio, and Nicola Pellipario (active 1510-42), a master of istoriato (narrative painting), in the early 16th century, maiolica pottery saw a wide range of developments that far surpassed Hispano-Moresque pottery. In parallel with this, many Italian potters in the 16th century emigrated to France and Germany, built kilns, and engaged in pottery making. …

From [Majolica]

...The major kilns that produced this pottery include the Cafagiolo in Florence, which was opened by the Medici family in 1506, Faenza, which later became the largest kiln in Italy, Deruta near Perugia, Gubbio in Umbria, Castel Durante near Urbino, and Venice. The Deruta kiln saw great development under the patronage of Cesare Borgia at the end of the 15th century, and Gubbio was opened around 1505 by Giorgio Andreoli (active around 1492-1553) who fired luster-glazed painted pottery, while Castel Durante produced the greatest Maiolic ceramic painter, Nicola Pellipario (active around 1510-1542), in the early 16th century. In addition to the polychrome maiolica mentioned above, there is also the line-drawn maiolica (zgrafiato), which is now called mezza maiolica (semi-maiolica).

*Some of the terminology that mentions "Pellipario, N." is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

Japanese:

… 当時イタリアではルネサンスの人文主義が台頭し,イスパノ・モレスク陶器の技法を受け継いでファエンツァ,フィレンツェ,ウルビノ,グッビオなどの中部イタリアの各地でマヨリカ陶器が焼かれた。ことに16世紀初めのグッビオのラスター彩の名手アンドレオリGiorgio Andreoli(1492‐1553年ころ活躍),イストリアート(istoriato物語絵)の名手ペリパリオNicola Pellipario(1510‐42年活躍)らが出るに及んで,マヨリカ陶器はイスパノ・モレスク陶器をはるかにしのぐ多様な発展をみた。またこれに並行して,16世紀に入りイタリアの多くの陶工が,フランスやドイツに移住して窯を築き作陶に従事した。…

【マヨリカ】より

…これらの陶器を製作した主要な窯では,メディチ家が1506年に開いたフィレンツェのカファジオーロ窯,のちにイタリア最大の窯場となったファエンツァ,ペルージアに近いデルータ,ウンブリアのグッビオ,ウルビノに近いカステル・ドゥランテ,ベネチアなどが著名である。デルータ窯は15世紀末にチェーザレ・ボルジアの保護を得て大きな発展をみ,グッビオは1505年ころアンドレオリGiorgio Andreoli(1492‐1553年ころ活躍)が開窯してラスター彩を用いた絵陶器を焼成,カステル・ドゥランテでは16世紀初めマヨリカ最大の陶画家ペリパリオNicola Pellipario(1510‐42年ころ活躍)を世に送っている。 以上の多彩色絵のマヨリカ陶器のほか,今日メッザ・マヨリカ(半マヨリカ)と呼ばれている線文搔落し手(ズグラフィアト)の陶器がある。…

※「Pellipario,N.」について言及している用語解説の一部を掲載しています。

出典|株式会社平凡社世界大百科事典 第2版について | 情報

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