...Also, emphasis was placed on the clear Italian harmony and the contrast between polyphony and homophony. Representative composers of this generation include Josquin des Prez, who was active in Italy for many years and showed a "perfect technique" in musical composition, as well as Isaac and Pierre de la Rue (c. 1460-1518). The third period up to the mid-16th century can be said to have followed the achievements of Josquin, but the number of voices gradually increased and compound singing techniques became more popular. *Some of the terminology that mentions "Pierre de la Rue" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…また,イタリアの清澄な和声法,ポリフォニーとホモフォニーの対比効果も重視された。この世代の代表的な作曲家には,イタリアで長く活躍し,楽曲構成法に〈完全な技芸〉を示したジョスカン・デ・プレをはじめとして,イザーク,ピエール・ド・ラ・リューPierre de la Rue(1460ころ‐1518)らがいる。16世紀中ごろまでの第3期はジョスカンの成果の踏襲といえるが,声部数はしだいに増加し,複合唱手法が好まれるようになった。… ※「Pierre de la Rue」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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