...It is thought to have developed after the era of Moscow Russia in the 14th to 17th centuries, and is a central part of modern rural folk songs. It has been widely studied as a subject of academic and artistic research since the 19th century. The polyphony known as podgolosok (sometimes translated as subvoice, full voice, etc.) often includes triads, but does not have a harmonic function with a constant bass progression; it is a kind of heterophony, and phrases always end in unison. Prochazhnaya was studied in depth in 19th-century Russian classical music, and had a major influence on the establishment of the nationalistic idiom of Russian art music. ... *Some of the terminology explanations that mention "podgolosok" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…14~17世紀モスクワ・ロシアの時代以後に発展したものと考えられ,現在の農村伝統の歌謡の中心的存在であり,19世紀以来学問的・芸術的研究の対象として広く研究されてきた。ポドゴロソクpodgolosok(副声部,充塡声部などと訳されることもある)と呼ばれる多声法は3和音もしばしば響かせるが,一定の低音進行を伴う和声的な機能をもつものではなく,一種のヘテロフォニーで,フレーズの終りは常にユニゾンになる。プロチャージナヤは19世紀ロシアの古典音楽のなかで深く研究され,ロシア芸術音楽の国民主義的な語法の確立に大きな影響を与えた。… ※「podgolosok」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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