…He was the artistic director of the Accademia Filarmonica Romana in 1976. He was one of Italy's leading avant-garde composers, pioneering the field of text composition, which used speech sounds and the voice itself as material, and had a major impact on the world of composition from the late 1950s to the early 1960s. His representative works include Theme: A Praise of Joyce (1958), which uses speech sounds electronically; Visage (1961), an electronic piece that captures every expression of the voice, from laughter to screams; and Sequenza No. 3 (1965), for female soloists. These works can be seen as a fusion of his flexible Italian sensibility and the vocal talents of his wife, singer Cathy Berberian (1928-1983). … *Some of the terminology explanations that mention "text composition" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…76年よりアカデミア・フィラルモニカ・ロマーナの芸術監督。 イタリアを代表する前衛的作曲家で,言語音や声そのものを素材とする〈言語作曲text composition〉の分野を切り開き,50年代末から60年代前半の作曲界に大きな影響を与えた。言語音を電子音楽的に処理した《テーマ : ジョイス礼賛》(1958),笑いから叫びまで声のあらゆる表情をとらえた電子音楽《ビザージュ》(1961),女声独唱のための《セクエンツァ第3番》(1965)などが,その代表作であるが,これらは彼の柔軟なイタリア的感性と夫人であった歌手バーベリアンCathy Berberian(1928‐83)の発声の融合といえよう。… ※「text composition」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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