…However, a scale can be recognized even if the absolute pitch is not stable. In South Indian ragas, decorative melodies called gamakas that constantly oscillate back and forth between two notes, or notes that move up and down in pitch, usually thought of as apposites or apposite sounds, are sometimes included as essential elements of the individual notes that make up the raga. Raga is not the same as a scale, but it is a closely related concept that deserves attention. … From [Raga]...The character of a raga is largely determined by the frequency of use of each note, especially in slower pieces. (4) Ornaments: These are collectively called gamaka and refer to distinctive, small movements of notes. These are divided into many types, and which ornaments are primarily used is also a factor in determining the individuality of a raga. *Some of the terminology explanations that mention "gamaka" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…しかし,絶対音高が安定しなくとも,音階を認めることができる。また南インドのラーガでは,ガマカgamakaという装飾的旋律が常に2音間を往復振動しているような場合や,通常倚音や前打音と考えられるような音高の上下動がある場合も,ラーガを構成する各音の本質的な要素として含めていることもある。ラーガは音階と同じではないが,関連の深い概念なので注目しなければならない。… 【ラーガ】より…各音の使用頻度によって,ラーガの性格は,とくに緩い楽曲において大いに特徴づけられる。(4)装飾音 総称してガマカgamakaと呼ばれるもので,音符の特徴ある細かい動きをいう。これらは多くの種類に分けられるが,そのうちのどの装飾音を主として取り入れるかも,ラーガの個性を決定する要素となる。… ※「gamaka」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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