...This tendency eventually led to the emergence of sentimental comedy, which emphasized the morality of the play, but at the root of this change was a movement to create more active plays, rejecting the overly intellectual and non-active nature of the Restoration-era comedies of manners. Representative works of the comedy of manners include George Etherege's A Man of the Day, W. Wycherley's The Country Wife, W. Congreve's The Ways of the World, G. Farquhar's The Dummy's Scheme, and J. Bumbler's The Backsliding. The 18th century works O. Goldsmith's Losing Wins, R.B. Sheridan's Rivals and The School of Slander are also considered to belong to this tradition. *Some of the terminology that mentions "Etherege, G." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…やがてこの傾向は,劇の教訓性を重視する感傷喜劇sentimental comedyの出現を招くに至るが,この変化の根底には,王政復古期の風習喜劇が過度に知的で非行動的であったのを否定して,行動性をもった劇を作り出そうとする動きがあった。 風習喜劇の代表的作品は,エサリッジGeorge Etheregeの《当世風の男》,W.ウィッチャリーの《田舎女房》,W.コングリーブの《世の習い》,G.ファーカーの《だて男の計略》,J.バンブラーの《逆戻り》などである。18世紀のO.ゴールドスミスの《負けるが勝ち》,R.B.シェリダンの《恋敵》や《悪口学校》などもこの伝統に属するとされる。… ※「Etherege,G.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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