Dominguez, O. (English spelling) DominguezO

Japanese: Dominguez,O.(英語表記)DominguezO
Dominguez, O. (English spelling) DominguezO

In art, in addition to inheriting the ideas and methods of Duchamp's "ready-made" and Chirico's "metaphysical painting," Ernst's "collage" and "frottage," which were considered equivalent to "automatic description," made it possible to express surrealism without using words. Methods such as Miro and Masson's "automatic drawing," Man Ray's "rayogram," Magritte's "description method," Dali's "symbolic object" and "paranoid critical method," and Oscar Dominguez's (1906-57) "decalcomanie" also produced many important works. These not only dramatically developed the ideas of image and object, but also expanded the realm of so-called "poetry" and "fantasy," and attempted to renew the nature of literary and artistic activities by exploring the possibility of objective creation that goes beyond individuality.

From [Decalcomany]

…A glossy piece of paper is coated with fluid paint, another piece of paper is pressed against it, and then the paper is peeled off, resulting in a variety of randomly generated image shapes. This technique was first tried by Oscar Dominguez (1906-57) around 1935, and was named “decalcomania without an object.” Images reminiscent of rocks, flowers, water, snow, lava, etc. appeared, and were later used by many surrealists, with a compilation published in issue 8 of the journal “Minotaur.” …

*Some of the terminology that mentions "Dominguez, O." is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

Japanese:

…美術では,デュシャンの〈レディ・メード〉,キリコの〈形而上絵画〉の思想・方法を受けついだほか,〈自動記述〉の等価物とみなされたエルンストの〈コラージュ〉〈フロッタージュ〉が,言語によらぬシュルレアリスムの表現を可能にする。ミロ,マッソンの〈自動的デッサン〉,マン・レイの〈レイヨグラム〉や,マグリットの〈記述法〉,ダリの〈象徴的機能をもつオブジェ〉〈偏執狂的批判的方法〉,ドミンゲスOscar Dominguez(1906‐57)の〈デカルコマニー〉などの方法も,多くの重要な作品を生む。これらはイマージュやオブジェの観念を飛躍的に発展させつつ,いわゆる〈詩〉や〈幻想〉の領域を広げたばかりでなく,個性を超えた客観的創造の可能性を探ることによって,文学・芸術活動のあり方を刷新しようとしたものである。…

【デカルコマニー】より

…つやのある紙に流動性のある絵具を塗って,もう1枚の紙をあてて押しつけ,紙をはがすと偶然の生むさまざまなイメージの形が得られる。ドミンゲスOscar Dominguez(1906‐57)が1935年ころに初めて試みた手法で,〈対象不在のデカルコマニー〉と名付けられた。岩や花,水,雪,溶岩などを思わせるイメージがあらわれ,その後,多くのシュルレアリストたちによって使われ,機関誌《ミノトール》8号にその集大成が発表された。…

※「Dominguez,O.」について言及している用語解説の一部を掲載しています。

出典|株式会社平凡社世界大百科事典 第2版について | 情報

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