...However, in reality, it is not a strict abstraction of raga, since it includes some differences in pitch. In Iranian music, the concept of dastgāh is closest to a musical scale. The concept of the octave scale is thought to have not originally existed in Iran, and traditionally it was a theoretical extraction of a scale that reaches an octave by collecting or abstracting melodic gushes based on tetrachords or pentachords. From [Maqam]...A term used in classical art music in Arab countries, Turkey, and Iran. Originally Arabic, it became a theoretical term for Arabic and Persian music with the development of the Islamic Empire. This musical culture was later inherited by the Ottoman Empire, and it is also used in Turkish music. However, in modern Iran, the Persian word dastgah is used instead of maqam. Maqam has several meanings, including "sound" and the standard of a series or scale of notes and melodic methods based on them. *Some of the terminology explanations that mention "dastgāh" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…しかし,実際には,音高の点でも多少の差異を含んでいるので,厳密なラーガの抽象化ではない。 イラン音楽ではダストガーdastgāhという概念が音階に最も近い。オクターブ音階の概念は本来イランにはなかったと考えられ,伝統的にはテトラコルドないしペンタコルドに基づく旋律型グーシェgusheを集合ないし抽象化して,オクターブに達する音階を理論的に抽出したものである。… 【マカーム】より…アラブ諸国,トルコ,イランの古典芸術音楽の用語。元来アラビア語であるが,イスラム帝国の発展とともにアラブ,ペルシア音楽の理論用語となった。その後この音楽文化をオスマン帝国が引き継いだため,トルコ音楽においても用いられる。ただし現代のイランでは,マカームの代りにダストガーdastgahというペルシア語が使われている。マカームにはいくつかの意味があり,〈音〉を意味する場合と,音列ないし音階とこれに基づく旋律法の規範を意味する場合とがある。… ※「dastgāh」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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