…As in the second period, there was a lot of contact with the Parisian art world, and artists who showed a new direction in 20th century art, such as Laurencin (The Doe, 1924), Braque (The Noisy One, 1924), Utrillo (The Barabau, 1925), Ernst and Miro (Romeo and Juliette, 1926), Chirico (The Ball, 1929), and Rouault (The Prodigal Son, 1929), also participated. Poulenc (The Doe), Georges Auric (1899-1983, The Noisy One), Milhaud (The Blue Express), and Henri Sauget (1901-89)… *Some of the terminology that mentions "Auric, G." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…第2期と同じく,パリ美術界との接触は深く,ローランサン(《牝鹿》1924),ブラック(《うるさ方》1924),ユトリロ(《バラバウ》1925),エルンストとミロ(《ロミオとジュリエット》1926),キリコ(《舞踏会》1929),ルオー(《放蕩息子》1929)ら20世紀美術の新たな方向性を示す作家が参加した。またプーランク(《牝鹿》),オーリックGeorges Auric(1899‐1983。《うるさ方》),ミヨー(《ブルー特急》),ソーゲHenri Sauget(1901‐89。… ※「Auric,G.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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