…Scarlatti left behind 600 harpsichord sonatas, which played a major role in establishing the foundations of piano playing, including double notes in thirds and sixths, a wide range of arpeggios, various ornaments, and crossing of the hands. In the pre-classical period, sonatas by Italians Domenico Alberti (c. 1710-c. 1740) and Baldassare Galuppi (1706-85), as well as the sonatas and concertos by the sons of JS Bach, are important. Emanuel left behind about 250 pieces for the harpsichord and clavichord, and also wrote a two-part work, Essay on the Correct Method of Playing the Clavier (1753, 62), which marked an era in the history of performance theory. … *Some of the terminology that mentions "Alberti, D." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…スカルラッティは600曲に及ぶハープシコード・ソナタを残したが,それらは3度・6度の重音奏法や幅広い分散和音,各種の装飾音,両手の交差など,ピアノ奏法を基礎づけるのに大きな役割を果たした。前古典派ではイタリアのアルベルティDomenico Alberti(1710ころ‐40ころ),ガルッピBaldassare Galuppi(1706‐85)らのソナタ,J.S.バッハの息子たちのソナタと協奏曲が重要である。エマヌエルはハープシコードとクラビコードのための作品を250曲ほど残し,また《正しいクラビーア奏法の試論》2部(1753,62)を著して演奏理論史でも一時代を画した。… ※「Alberti,D.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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