A trend in painting that became mainstream in America for about ten years after World War II, corresponding to the European movement of Informel (lyric abstraction). The term was first used by critic Rosenberg in an essay in 1952. It originally came from Pollock, who would lay a large canvas on the floor and literally step inside to paint, and in the narrow sense it is used exclusively to refer to his paintings. In a broader sense, it also includes Robert Motherwell (1915-91), Franz Kline (1910-62), Georges Mathieu (1921- ), and Jean-Paul Riopelle (1923- ). Source: Heibonsha World Encyclopedia, 2nd Edition Information |
第2次大戦後10年間あまりアメリカで主流となった絵画の傾向で,ヨーロッパのアンフォルメル(抒情的抽象)に対応する。批評家ローゼンバーグが1952年の論文で初めて使った言葉。もともと,床に大きな画布をしいて中に入り込み文字どおりアクションによって描くポロックに由来し,狭義では彼の絵画のみに限定して用いられる。広義ではさらにマザウェルRobert Motherwell(1915‐91),クラインFranz Kline(1910‐62),マチューGeorges Mathieu(1921‐ ),リオペルJean‐Paul Riopelle(1923‐ )らを含めていわれる。
出典 株式会社平凡社世界大百科事典 第2版について 情報 |
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