A pictorial representation using characters. The commonly seen "Henohenomoheji" is one such example. This is drawn using only characters, but sometimes characters are skillfully combined and heads, arms, legs, etc. are added to create a character picture. In Japan, the Heian period paintings known as ashide-e (reed-drawings) can also be considered moji-e in a broad sense. They depict reeds growing on the water's edge, with plants, rocks, birds, and waka poems scattered throughout. Ashide-e was also called reed-drawing or scattered writing. In the Edo period, moji-e was popular as caricatures. According to the essay "Kyushoran" (1830) of the time, "In the Horeki era, among the children's pastimes, there were moji-e in which the shape of a warrior was drawn in words and the head, arms, and legs were drawn in pictures," which shows that moji-e was a source of entertainment for children. In the Edo period, there was also a type of moji-e called "moji-iri" (text-inlaying) in which characters were used in the design of the costume. In Europe, decorative characters are also seen. There are two types: decorative characters that use picturesque characters, and characters that combine people and figures. The former can be seen on shirts and the like. [Yoshihiro Yoshii] Source: Shogakukan Encyclopedia Nipponica About Encyclopedia Nipponica Information | Legend |
文字をあしらって絵画的に表現したもの。よくみられる「へのへのもへじ」はその類。これは文字のみで描くが、文字を巧みに組み合わせ、それに頭、手足などを書き足して文字絵を書くこともある。 日本では平安時代に葦手絵(あしでえ)とよばれるものも、広い意味で文字絵といえよう。水際に葦などの生えた姿を描いたもので、草木、岩、鳥などを配し、和歌などを散らし書きにした絵となっている。葦手絵は葦手書き、散らし書きなどともよばれた。江戸時代には戯画として文字絵が盛んに描かれた。当時の随筆『嬉遊笑覧(きゆうしょうらん)』(1830)によると「宝暦(ほうれき)のころ童(わらは)の翫(もてあそ)びの草子に文字絵とて武者などの形を文字にてかき頭と手足をば絵にてかきそへたるものあり」とあり、文字絵は子供たちのなぐさみとなっていたことがわかる。また江戸時代には、文字絵の一種として衣装の図柄に文字を使う「文字入(いり)」があった。 ヨーロッパにおいても文字を装飾的にした飾り文字がみられる。それには、文字自身を絵画的に表現したものと、文字に人物などを組み合わせたものとがある。前者はワイシャツなどにみられる。 [芳井敬郎] 出典 小学館 日本大百科全書(ニッポニカ)日本大百科全書(ニッポニカ)について 情報 | 凡例 |
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