Miyakodayu Junior High School
|
The name of the head of the Icchu-Setsuto school. Abbreviated as Miyachi-Icchu. There have been 12 generations to date, but the first is the most famous, followed by the fifth. [Kiyohiro Hayashi and Yukinori Moriya] First World(1650-1724) The second son of Shui, the third head priest of Myofuku-ji Temple of the Hongan-ji School in Kyoto. His childhood name was Keishun. In 1670 (Kanbun 10), he returned to secular life and took the name Suga Senboku. He learned joruri from Miyako Mandayu (Echigo no Jo) and founded a school under the name Miyako Tayu Icchu. It is unknown when he established Icchu-bushi. As his style was originally a parlor art, it is thought to have had no connection to puppet theater. In 1707 (4th year of the Hoei period), at the age of 58, he made his first appearance in "Kyosukeroku Shinju" at the Kataoka Nizaemon Theatre in Osaka. After that, from 1715 (5th year of the Shotoku period) to 1719 (4th year of the Kyoho period), he made two trips to Edo to perform at the Ichimura Theatre. This led to Icchu-bushi taking root not only in Kyoto and Osaka, but also in Edo. His appearance as he spoke with his hair cut short, wearing a jittoku robe, long hakama made of white silk, and carrying a small knife must have been well-received. Some of his best-known pieces include "The Four Seasons of Tatsumi," "Onatsukasa Monogurui," and "Wankyusue no Matsuyama." [Kiyohiro Hayashi and Yukinori Moriya] IIDates of birth and death unknown. He was the biological son of the first head priest, and his previous name was Wakatayu. He took on the name of the second head priest after the death of the first head priest. He accompanied the first head priest on his second visit to Edo, and was active in Edo until around 1736 (Genbun 1). He later returned to Kyoto, received the title of Izuminojo, and worked at theaters under the names of Kyotayu Ichu and Kyotayu Izuminojo, and is said to have died towards the end of the Enkyo era (1744-47). [Kiyohiro Hayashi and Yukinori Moriya] IIIDates of birth and death unknown. Moved to Edo around 1732 (Kyoho 17). Appeared at Nakamura-za and Morita-za as Miyako Hidedayu Senchu, a disciple of the first. Premiered works include "Yugasumi Asamagatake," "Iezakura Keisei Sugata," and "Onoe no Kumoshizuhataobi." Succeeded to the stage name of the third generation around the end of the Horeki era (1750s). [Kiyohiro Hayashi and Yukinori Moriya] IVDates of birth and death unknown. Kindayu Sanchu, the son-in-law of the first, changed his name to Azumaji Miyakodayu, and is said to have succeeded the fourth after the death of the third. The fourth accompanied the first on his journey down to Edo, and remained in Edo to play an active role, making a great contribution to the spread of Icchu-bushi in Edo. He composed the dialogue "Sumida River Boat House" with the first, Masumi Kato, and the second, a pupil of his disciple, Wachu, was Fujita Kichiji (later known as Fukou), who was known as a master. [Kiyohiro Hayashi and Yukinori Moriya] 5th(1760-1822) His real name was Chiba Karoku. He traveled to Edo from Kamigata with 18 pieces of joruri as souvenirs, and performed "Kyosei Asama" at the Nakamuraza Theater with Tobaya Satocho playing the shamisen. Although his voice was beautiful, it was soft, so it was not well received. Later, with the help of Yamabiko Shinjiro (later Sugano Joyu), a shamisen player of Kawatobushi in Yoshiwara, Edo, he was a great contributor to reviving Icchu-bushi, which was in decline at the time. There are various theories about him, such as that he was the third-generation grandson or a fourth-generation disciple. His representative pieces include "Yoshiwara Hakkei" and "Pine Hagoromo." [Kiyohiro Hayashi and Yukinori Moriya] VI(?-1834), commonly known as Ono Manta. He was a disciple of the 5th generation and called himself the 2nd generation Senchu. His wife, Miyako Ichihama, produced Miyako Issei (also called Issei) and Miyako Ichu, who were later said to be leading figures in the Miyako school. [Kiyohiro Hayashi and Yukinori Moriya] 7thDate of birth and death unknown. A disciple of the 5th generation, Eichu. Also called Kawaroku or Hanchu. Succeeded to his name in 1847 (4th year of the Koka era). He was not good at his job and went missing. One theory is that he collapsed and died on the Samsa Bridge in Tsukiji (another name for Akashi Bridge, which was removed in 1970). His nickname was "Okomo Ichichu." [Kiyohiro Hayashi and Yukinori Moriya] 8th(1848-77) The 6th generation's cousin. Sennosuke Chibaya (a tabi maker). He took over the family name in 1855 (Ansei 2) at the age of 8, but died at the age of 29 due to poor health. [Kiyohiro Hayashi and Yukinori Moriya] IXDate of birth and death unknown. The 8th generation's real father was Chibaya Sensuke. He only inherited the stage name. He had no connection to the arts, and is said to have died shortly after assuming the stage name. [Kiyohiro Hayashi and Yukinori Moriya] 10th(1868-1928) His real name was Ito Umetaro. He was the grandson of the shamisen player Miyako Matsuji, and in 1881 (Meiji 14) he was appointed head of the school through the mediation of Ichu and Ikkiyo's disciple Ichihiro. After his death, there was a 20-year hiatus for the head of the school. [Kiyohiro Hayashi and Yukinori Moriya] XI(1906-91) Her real name was Kiyoko Kobayashi. She was the biological daughter of the 10th generation. Her previous name was Senboku. She took the name in 1948 (Showa 23). In 1984, she was recognized as a holder of an important intangible cultural property. [Kiyohiro Hayashi and Yukinori Moriya] 12th(1952-) His real name was Todo Seiichiro. Former name was Tosenbo. His father was the first Tokiwazu Mojizo (Saiki). The 12th Tokiwazu Mojizo is the same person as the second Tokiwazu Mojizo. He took the name in 1992 (Heisei 4). [Kiyohiro Hayashi and Yukinori Moriya] [References] | | | Edo Sanza | | | | |Source: Shogakukan Encyclopedia Nipponica About Encyclopedia Nipponica Information | Legend |
|
一中節都派の家元名。略称都一中。現在まで12世を数えるが、初世がもっとも有名で、5世がこれに次ぐ。 ［林喜代弘・守谷幸則］ 初世（1650―1724）京都本願寺派明福寺の3世周意(しゅうい)の次男。幼名は恵俊(けいしゅん)。1670年（寛文10）還俗(げんぞく)して須賀千朴(せんぼく)と号する。都万太夫（都越後掾(えちごのじょう)）に浄瑠璃(じょうるり)を習い、都太夫一中を名のって一派を興した。一中節を樹立した時期は不明。元来が座敷芸のため人形芝居とは無縁であったと思われる。1707年（宝永4）58歳のとき大坂の片岡仁左衛門(にざえもん)座の『京助六心中(きょうすけろくしんじゅう)』に初めて出演、その後15年（正徳5）より19年（享保4）まで、あわせて二度にわたる江戸下りを行い市村座に出勤した。これにより京坂だけでなく江戸に一中節が根付くことになった。斬髪(ざんぱつ)して十徳(じっとく)を着、白練(しろねり)の長袴をはき小刀を帯びて語る姿は評判をよんだものと思われる。代表曲に『辰巳(たつみ)の四季』『お夏笠物狂(おなつかさものぐるい)』『椀久末松山(わんきゅうすえのまつやま)』などがある。 ［林喜代弘・守谷幸則］ 2世生没年不詳。初世の実子で前名若太夫。初世没後に2世を襲名。初世の二度目の江戸下りに同行、1736年（元文1）ごろまで江戸で活躍した。のち京都に帰り、和泉掾(いずみのじょう)を受領し、京太夫一中、また京太夫和泉掾と称して芝居に出勤、延享(えんきょう)（1744～47）の末ごろ没したのではないかといわれている。 ［林喜代弘・守谷幸則］ 3世生没年不詳。1732年（享保17）ごろ江戸に下る。初世の弟子、都秀太夫千中(せんちゅう)として中村座、森田座などに出勤した。『夕霞浅間嶽(ゆうがすみあさまがたけ)』『家桜傾城姿(いえざくらけいせいすがた)』『尾上雲賤機帯(おのえのくもしずはたおび)』などを開曲（初演）した。宝暦(ほうれき)末（1750年代か）ころ3世を襲名。 ［林喜代弘・守谷幸則］ 4世生没年不詳。初世の婿、金太夫三中(きんだゆうさんちゅう)が吾妻路宮古(あづまじみやこ)太夫と改名し、その後3世没後に4世を相続したといわれている。4世は初世の江戸下りに同行、以来江戸に残り活躍した人で江戸に一中節を流布させた功労者。初世十寸見河東(ますみかとう)との掛合(かけあい)『角田川(すみだがわ)船の内』を作曲、門弟和中(わちゅう)の弟子の2世和中は名人といわれた富士田吉次(ふじたきちじ)（後の楓江(ふうこう)）である。 ［林喜代弘・守谷幸則］ 5世（1760―1822）本名千葉嘉六(かろく)。上方(かみがた)より土産浄瑠璃18曲を携えて江戸に出て、中村座で鳥羽屋里長(とばやりちょう)の三味線で『傾城浅間(あさま)』を開曲した。声は美しいが小音であったため、評判は芳しくなかったという。その後江戸・吉原(よしわら)の河東節三味線弾き山彦(やまびこ)新次郎（後の菅野序遊(すがのじょゆう)）の協力を得て、当時衰退していた一中節を再興した一大功労者。3世の孫、あるいは4世の弟子など諸説がある。『吉原八景』『松の羽衣(はごろも)』などが代表曲。 ［林喜代弘・守谷幸則］ 6世（？―1834）俗称大野万太。5世の弟子で2世千中を名のっていた。その妻の都一浜(いちはま)門下から後の都派の重鎮といわれた都一静(いちせい)（一清ともいう）、都以中(いちゅう)が出た。 ［林喜代弘・守谷幸則］ 7世生没年不詳。5世の弟子栄中(えいちゅう)。河六、または半中(はんちゅう)とも称していた。1847年（弘化4）襲名。素行が修まらず行方不明となった。一説には築地(つきじ)の寒さ橋（1970年に撤去された明石橋の別名）で行き倒れて死んだといわれている。仇名(あだな)は「お菰(こも)一中」。 ［林喜代弘・守谷幸則］ 8世（1848―77）6世の従孫。千葉屋（足袋屋）仙之助。1855年（安政2）8歳で襲名も病弱で29歳で病没。 ［林喜代弘・守谷幸則］ 9世生没年不詳。8世の実父千葉屋仙助。名跡(みょうせき)のみ襲名。芸には関係なく、襲名後まもなく没したという。 ［林喜代弘・守谷幸則］ 10世（1868―1928）本名伊東楳太郎(うめたろう)。三味線弾き都松次(まつじ)の孫で1881年（明治14）以中や一清の高弟一広(いちひろ)の斡旋(あっせん)で襲名。没後20年間家元空白期となる。 ［林喜代弘・守谷幸則］ 11世（1906―91）本名小林清子。10世の実子。前名仙卜(せんぼく)。1948年（昭和23）襲名。84年重要無形文化財保持者に認定。 ［林喜代弘・守谷幸則］ 12世（1952― ）本名藤堂誠一郎。前名都仙卜。父は初世常磐津文字蔵(ときわずもじぞう)（斉樹）。12世は2世常磐津文字蔵と同一人物である。1992年（平成4）襲名。 ［林喜代弘・守谷幸則］ [参照項目] | | | | | | | |出典 小学館 日本大百科全書(ニッポニカ)日本大百科全書(ニッポニカ)について 情報 | 凡例 |
<<: Oystercatcher (Tokyo bird) - Oystercatcher
Recommend
Melanosuchus niger (English spelling) Melanosuchusniger
...The pygmy caiman Paleosuchus palpebrosus is ab...
Quality of life
A way of thinking that emphasizes how rich a huma...
One offering - Ikkonryo
"Ikken" refers to a small drinking party...
Aerarium saturni - Aerarium saturni
…The indirect taxes of the Republic included cust...
Neotrigonia margaritacea (English spelling)
...They live on sandy and muddy bottoms from the ...
echoppe (English spelling)
...In the 18th century, there were painters such ...
Ageya - Ageya
A shop in a brothel that invites prostitutes for ...
Monochlamydeous flower
...The flowers of Mirabilis and Daphne daphne loo...
Suśruta‐saṃhitā
One of the two great classical medical texts of In...
Nayoro
The word nayoroshi means a list of names, and is ...
Guo Maochen
...Chinese military man. His pen name was Maochen...
sneeze
It is one of the common symptoms of nasal disease...
aoidē (English spelling) aoide
…It is a genre of poetry generally understood tod...
Colon Classification
...In addition, the Japanese National Diet Librar...
Amniotic fluid diagnosis - analysis of the amniotic fluid
This is a technique in which a needle is inserted ...