Born: August 18, 1810, Lyon [Died] August 18, 1892. Param French dancer and choreographer. Full name Jules-Joseph Perrot. The greatest contributor to the creation of the Romantic ballet era. As depicted in Edgar Degas' painting "The Dance Class," Perrot was short and not particularly good-looking, but he was nicknamed "Perrot, the Spirit of the Air" for his agility and jumping ability. He first worked as a clown in the circus while studying under Auguste Vestris and others. In 1830, he joined the Paris Opera Ballet and attracted attention as the partner of Marie Taglioni, but due to his popularity, a power struggle arose and he was defeated, so he left the troupe for a while and performed as a guest performer in various parts of Europe. He also began to work on choreography. Later, he discovered Carlotta Grisi in Italy, educated her, and later married her. He premiered "Gypsy" with Grisi as his partner at the Paris Opera, and choreographed Grisi's dance for the lead role in "Giselle" in 1841, which was a great success, but the honor officially went to Jean Coralli, who choreographed the other parts. Disappointed, Perrault moved to London, and after his divorce in 1848, he worked as a choreographer at the Mariinsky Theatre Ballet in St. Petersburg, where he trained Marius Petipa. He returned to Japan in 1859 and died in obscurity. Other major works include "Ondine" (1843), "Esmeralda" (1844), "Pas de Quatre" (1845), and "The Judgment of Paris" (1846). Perot |
[生]1810.8.18. リヨン [没]1892.8.18. パラム フランスの舞踊家,振付家。フルネーム Jules-Joseph Perrot。ロマンチック・バレエ時代をつくり上げた最大の功労者。エドガー・ドガの絵『ダンス教室』に描かれているように,背は低く,容姿に優れなかったが,俊敏で跳躍力があったところから「大気の精ペロー」の愛称で呼ばれた。初めサーカスの道化などをしながらオーギュスト・ベストリスらに師事。1830年パリ・オペラ座バレエ団に入り,マリー・タリオーニの相手役を務めて注目を集めたが,その人気の高さから権力抗争が起こり敗れて同座を一時離れ,ヨーロッパ各地を客演。振り付けも手がけるようになる。その後イタリアでカルロッタ・グリジを見出して教育,のちに結婚。パリ・オペラ座でグリジをパートナーとして『ジプシー』を初演,1841年『ジゼル』の主役を演じたグリジの踊りを振り付け大成功を収めるが,公式にはほかの部分を振り付けたジャン・コラリがその名誉を得た。失望したペローはロンドンに移り,1848年離婚後はサンクトペテルブルグのマリインスキー劇場バレエ団で振付家として活動,マリウス・プティパを育成。1859年帰国し,不遇のうちに生涯を閉じた。主要作品はほかに『オンディーヌ』(1843),『エスメラルダ』(1844),『パ・ド・カトル』(1845),『パリスの審判』(1846)など。 ペロー
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