1863‐1930 A master of Russian stage design. A member of the "World of Art" school. He is particularly known for the innovative use of stage extensions and stagehands, as well as the pictorial decorativeness of his productions of "Don Juan" (1910) and "Un Ballo in Maskes" (1917), both directed by Meyerhold. He was also the first Russian painter to create harmony on stage, taking charge of the sets, costumes, and props. Other notable works after the revolution include "The Marriage of Figaro" (1927) for the Moscow Art Theatre, among others. He has also painted many portraits. [Sato Kyoko] Source: Heibonsha World Encyclopedia, 2nd Edition Information |
1863‐1930 ロシア舞台美術の巨匠。《芸術世界》派の一人。メイエルホリド演出の《ドン・ジュアン》(1910),《仮面舞踏会》(1917)における張出し舞台や黒子使用の斬新さ,絵画的装飾性が特に有名。装置,衣装,大小道具を担当し,舞台上の調和を図ったロシア最初の画家でもある。革命後の著名な仕事にモスクワ芸術座《フィガロの結婚》(1927)その他がある。肖像画も多い。【佐藤 恭子】 出典 株式会社平凡社世界大百科事典 第2版について 情報 |
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