Kinutamono - Kinutamono

Japanese: 砧物 - きぬたもの

A classification of Japanese music. It includes Noh and its shamisen adaptations, and instrumental music centered on the onomatopoeic expression of the kinuta in jiuta sokyoku. (1) Noh. Old name: Kinuta Onna. Fourth piece. Written by Zeami. (2) Handayu-bushi. Composed by Edo Handayu. A joruri version of a Noh song. (3) Kato-bushi. Composed by Tossunmi Kato 1st. A revised version of Handayu-bushi. However, Kato 4th's Tokiwa no Koe, composed in 1746, is closer to a Noh song. (4) Jiuta. (a) "Kinuta" from "Himekomatsu." (b) "Kinuta" composed by Sayama Kengyo. Honchoshi. (c) "Sandan Kinuta" composed by Shimazumi Koto of Sakai. Niagari. Includes an introduction. (d) "Yondan Kinuta" by unknown composer. Also called "Kyo Kinuta." Honchoshi, Sanshidari ensemble piece. Introduction includes "Sandanjishi." (5) Koto pieces: (a) "Kinuta" composed by Ikuta Kengyo. Hirachoshi. The score was included in the Yanoichizo woodblock edition in 1822. (b) "Kinuta" from the Yatsuhashi school, an omote-attached piece. (c) "Kinuta" from the Tsugiyama school, an omote-attached piece. (d) "Shinkinuta" from the inner part of the Yatsuhashi school. (e) "Kinuta" from the Yamazawa Koto tradition. Arrangement of (a). Included in "Yamada no Rakuho" in 1825. (f) "Yondankinuta" from the Yamada school. Possibly arranged by Hasegawa Kengyo. (e) Main piece, with an ensemble of alternate pieces in Kumoichoshi. (g) "Nijukinuta" from the Ikuta school. (a) is arranged and played with "Kinutaji." It includes a prelude to "Sandanjishi." (h) "Godankinuta" composed by Mitsuzaki Kengyo. (i) Yamada school koto piece "Oka Yasu (Yasu) Kinuta." The original piece may have been a Nagauta sangenkyoku. There are many different theories about the composer. In the Yamada school, what was passed down as Fujiue school kokyu was transformed into a koto piece by Yamamuro Yasuyoshi and others, and is played with "ji" or a replacement. (j) Yamada school sangenkyoku piece "Shinkinuta." Composer unknown. Passed down in the Nakanoshima school. (k) New Japanese music. Miyagi Michio composed "Karakinuta," "Tokinuta," and "Kinuta."

Source: Encyclopaedia Britannica Concise Encyclopedia About Encyclopaedia Britannica Concise Encyclopedia Information

Japanese:

日本音楽の楽曲分類名称。能およびその三味線音楽化したものと，地歌箏曲における砧の擬音的表現を中心とした器楽曲類とがある。 (1) 能　古名『碪女 (きぬたおんな) 』。四番目物。世阿弥作。 (2) 半太夫節　江戸半太夫作曲。謡曲を浄瑠璃化したもの。 (3) 河東節　1世十寸見河東作曲。半太夫節を改作したもの。ただし4世河東が延享3 (1746) 年に作曲した『常磐の声』のほうが謡曲に近い。 (4) 地歌 (a) 『姫小松』収載曲『砧』。 (b) 佐山検校作曲『砧』。本調子。 (c) 堺の島住勾当作曲『三段砧』。二上り。前唄がある。 (d) 作曲者未詳『四段砧』。『京砧』ともいわれる。本調子，三下り合奏曲。前奏に『三段獅子』がつく。 (5) 箏曲 (a) 生田検校作曲『砧』。平調子。文政5 (1822) 年弥之一蔵板本に譜が収録。 (b) 八橋流表組付物『砧』。 (c) 継山流表組付物『砧』。 (d) 八橋流奥組付物『真の砧』。 (e) 山沢勾当伝承『砧』。 (a) の編曲。文政8 (1825) 年『山田の落穂』収載。 (f) 山田流箏曲『四段砧』。長谷川検校編曲か。 (e) を本手とし，これに雲井調子の替手を合奏。 (g) 生田流箏曲『二重砧』。 (a) を編曲したものに「砧地」を合奏。『三段獅子』の前奏がつく。 (h) 光崎検校作曲『五段砧』。 (i) 山田流箏曲『岡康 (安) 砧』。原曲は長唄三弦曲か。作曲者については異説が多い。山田流では，藤植流胡弓として伝えられたものを山室保嘉らが箏曲に移し，「地」または替手を合奏させる。 (j) 山田流三弦曲『新砧』。作曲者不詳。中能島派に伝わる。 (k) 新日本音楽。宮城道雄作曲『唐砧』『遠砧』『砧』がある。

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