…All of his secular music, written with text, is important as polyphonic or generalbass-lied. Instrumental music is only a small part of his output, but his Musical Symposium (1617), which includes twenty dances, is important in the history of the suite of variations. [Igata Chizuru]… From [Tafelmusik]…The performers were members of the court orchestra, city choirs, and professional musicians' guilds (Stadtpfeifer). Schein's Musical Feast (1617) and Telemann's three-volume Table Music (1733) are famous. This genre was replaced by the divertimento and serenade in the second half of the 18th century. … *Some of the terminology referenced in "Musical Feast" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…すべて彼の作詞による世俗曲は多声リートやゲネラルバス・リートとして重要である。器楽曲は彼の創作の小部分にすぎないが,20曲の舞曲を含む《音楽の饗宴》(1617)は変奏組曲の歴史において重要である。【井形 ちづる】。… 【ターフェルムジーク】より…演奏者は宮廷楽団員や都市の合唱隊,職業音楽家組合員Stadtpfeiferらであった。シャインの《音楽の饗宴》(1617),テレマンの3巻の《食卓の音楽》(1733)は有名。このジャンルは18世紀後半にはディベルティメントやセレナードなどに取って代わられた。… ※「《音楽の饗宴》」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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