...However, Négritude's position of prioritizing culture, collective experience over the individual, and classless emphasis on race drew criticism from English-speaking writers such as Mphahlele, Soyinka, and David Rubadiri (1930-), who respected the creative spirit of the individual and placed the highest priority on solving political problems. In fact, Yambo Ouologuem's (1940-) "Oblige Violence" (1968), which depicts the cycle of brutal power struggles within traditional Africa, was perceived as a declaration by a French-speaking writer of the end of Négritude. Tchicaya U Tam'si (1931-88) is a unique poet who critically overcame Négritude and paved his own way. ... *Some of the terminology that mentions "Wologem, Y." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…しかしネグリチュードの文化優先,個人よりも集団の体験,没階級的な人種強調の立場は,個人の創造精神を尊重し,政治課題の解決を最重要視するムファレレ,ショインカ,ルバディリDavid Rubadiri(1930‐ )ら英語圏側からの批判の矢面に立つ。実際,伝統アフリカ内部の悽惨(せいさん)な権力闘争の輪廻を描くウォロゲムYambo Ouologuem(1940‐ )の《暴力の義務》(1968)はフランス語圏作家自身によるネグリチュードの終焉宣言と受け取られた。ウ・タムシTchicaya U Tam’si(1931‐88)はネグリチュードを批判的に超克して独自の道を拓いた特異な詩人である。… ※「ウォロゲム,Y.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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