…Masakata's school of disciples in Saga tried to revive the Tsukushi koto by absorbing other schools, and Imaizumi Chiharu (1775-1836) compiled the tradition up to that point and wrote works such as Shokyokaku Kotowa. It was passed down from his son Chiaki through Noda Chosho to the present day, but after the death of Murai Rei (1887-1958), Inoue Mina (1895-1995) was the only one to carry it on. The ancient pieces said to have been composed by Kenjun are called "Jikyoku" or "Eikyoku," and there are also secret pieces called "Hiden (Secret Ei)" and "Okugi (Profound Ei)," but their classification and titles vary greatly depending on the era. … *Some of the terminology that mentions "Inoue Mina" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…政方の佐賀における門下の系統は,他系の吸収にもつとめ筑紫箏の復興を図り,今泉千春(1775‐1836)は,それまでの伝承を整理して,《松響閣箏話》などを著した。その子千秋から野田聴松を経て,現代の伝承者へと伝えられたが,村井れい(1887‐1958)の没後は,井上ミナ(1895‐1995)一人が伝承するのみとなってしまった。 賢順作曲と伝える古曲を〈十曲〉または〈詠曲〉と称し,ほかに〈秘伝(秘詠)〉〈奥儀(奥詠)〉と称する秘伝曲もあるが,それらの分類および曲目は,時代による異同が著しい。… ※「井上ミナ」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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