…(4) Providing opportunities for member painters and art students to exhibit their works, and thus popularizing the arts. The first example of a full-scale academy with such characteristics, even if only partially, was the Accademia del Disegno, founded in Florence in 1563 based on Vasari's concept and with Cosimo de' Medici, Grand Duke of Tuscany, and Michelangelo as president. This was an organization that brought together architects, sculptors, and painters, who had previously been separated into various guilds, with the awareness that they were all bearers of the three fields of plastic arts, with disegno (drawing) as their common foundation. This contributed to the liberation of artists from the constraints of the guilds, which had a professional character, and to the establishment of their social status. … From [Sketch]...The first half of the definition follows the tradition of Cennini, but the second half shows Michelangelo's ideas. Vasari not only attempted to synthesize the drawing theories that came before him, but also led to the founding of the first art academy, the Accademia del Disegno, under Cosimo de' Medici in 1563. An extreme example of this drawing theory is Federico Zuccari, director of the Accademia di San Luca in Rome. ... *Some of the terminology explanations that mention "Accademia del Disegno" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…(4)会員である画家,画学生に作品展示の機会を与え,そのことによる美術の普及。 このような性格を部分的にせよ備えた本格的なアカデミーの最初の例は,バザーリの構想に基づき,トスカナ大公コジモ・デ・メディチとミケランジェロを総裁として,1563年フィレンツェに設立されたアカデミア・デル・ディセーニョAccademia del Disegnoである。これは,それまで各ギルドに分散していた建築家,彫刻家,画家が,〈ディセーニョdisegno(素描)〉を共通の基盤とする造形芸術の3分野の担い手であるという自覚のもとに集まった団体で,職能組合的性格をもったギルドの拘束からの芸術家の解放やその社会的地位の確立に貢献した。… 【素描】より…定義の前半はチェンニーニの伝統を継いでいるが,後半はミケランジェロの考えを示している。このようにバザーリは,彼以前の素描論の総合を試みたばかりでなく,コジモ・デ・メディチのもとに1563年彼自身創設した最初の美術アカデミーは〈アカデミア・デル・ディセーニョ〉と呼ばれるにいたった。このような素描論の極限の例は,ローマの〈アカデミア・ディ・サン・ルカ〉院長フェデリコ・ツッカリである。… ※「アカデミア・デル・ディセーニョ」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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