…In his symphonies, as shown by the examples of “Spring” and “Rhein” (No. 3), there was a tendency to “say hello to program music” (Einstein) (though the composer did not give them such titles), but as the “No. 2” and “No. 4” (1851) clearly show, he did not depart from the orthodox path that had been followed since Beethoven, and succeeded in filling the structure with fresh poetry. As a critic, he founded the magazine “Neue Zeitschrift für Musik” in 1834, which continues to this day, and played a leading role in the “new poetic era” with his fresh and energetic activities. Schumann is also notable among the great composers for his dedication to music for young children. … *Some of the terminology used in reference to "New Zeitschrift für Musik" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…交響曲でも《第1番春》《第3番ライン》の例が示すように,〈標題音楽の方向に挨拶をおくる〉(アインシュタイン)傾向はあるが(しかし作曲者はこういうタイトルはつけなかった),《第2番》,《第4番》(1851)が顕著に示すように,ベートーベン以来の正統的な道を離れず,その構造を清新な詩で満たすことに成功している。評論の筆をとっては,現在まで継続する雑誌《音楽新報Neue Zeitschrift für Musik》を1834年に創刊,清新で精力的な活動で〈新しき詩的な時代〉のために指導的な役割を果たす。シューマンはまた大作曲家の中で幼少年のための音楽に心を注ぐ存在として目だっている。… ※「《Neue Zeitschrift für Musik》」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
<<: Neue Zeitung (English spelling)
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