"Les poetes maudits" (English)

...With the rise of the Decadent movement in the mid-1980s, he was elevated to the status of a master of the movement, but the collections of poems published under this public splendor, starting with "These Days and These Days" (1885), cannot be said to have added any new brilliance to his true literary glory, despite their enormous volume, except for the famous "Poetics" and several other excellent works. The most important works of his later years are his critiques, and his "Les poètes maudits" (1884) made the world aware of Mallarmé and Rimbaud, and together with Huysmans' "Against" (1884), had a great influence on the formation of the Symbolist school of poetry. Verlaine's introduction to Japan dates back to "Paul el-la-la-ne" (1896), which was published early by Tokyo University student Ueda Bin at the time of Verlaine's death, and was introduced by Kambara Ariake (1904)....

*Some of the terminology that refers to "Les poètes maudits" is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

…80年代半ばデカダン派の台頭とともに彼はその巨匠に祭り上げられるが，この世間的名声の下に刊行された《昔と近頃》(1885)以降の諸詩集は，有名な《詩法》その他いくつかの佳編を除けば，その膨大な量にもかかわらず彼の真の文学的栄光に新たな光輝を加えたとはとうていいえない。晩年の彼の作品で最も重視すべきはむしろ評論であって，《呪われた詩人たちLes poètes maudits》(1884)はマラルメ，ランボーの存在を世に周知させて，ユイスマンスの《さかしま》(1884)とともに象徴詩派の形成に大きな影響を与えた。　日本へのベルレーヌ紹介は，その死去に際して東大生上田敏がいち早く発表した《ポオル･ヱ゛ルレエヌ逝く》(1896)にさかのぼり，蒲原有明(1904。…

※「《Les poètes maudits》」について言及している用語解説の一部を掲載しています。

出典｜株式会社平凡社世界大百科事典 第２版について | 情報