…Diderot, who believed that the genre between comedy and tragedy, which was neither a comedy nor a tragedy according to the traditional classical classification, was the “drame” or bourgeois drama, which he claimed should be written in prose. However, in French bourgeois drama, including the works of the famous Michel-Jean Sedaine (1719-79), tragic catastrophes were always avoided, and true bourgeois tragedies without a compromised happy ending were perfected in Germany. In Germany, a genre called sentimental drama (Rührstück) became very popular, influenced by French tearjerker comedies. … *Some of the terminology that mentions "Sedaine, MJ" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…従来の古典的な分け方からいうと喜劇でも悲劇でもないこの中間のジャンルが,ディドロによれば〈正劇drame〉もしくは市民劇であり,それは散文で書かれるべきだと主張した。しかし有名なスデーヌMichel‐Jean Sedaine(1719‐79)の作品なども含めて,フランスの市民劇では悲劇的な破局はつねに避けられており,妥協的な幸福の結末をもたない本当の市民悲劇は,ドイツで完成した。 ドイツではまずフランスの催涙喜劇の影響で,感傷劇Rührstückとよばれるジャンルが非常に流行した。… ※「Sedaine,M.J.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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