...Neue Sachlichkeit. The term was given to the new representational tendency in German art after World War I, and is derived from the name of an art exhibition (1925) organized by Gustav Friedrich Hartlaub (1884-1963), the director of the Mannheim Art Museum. Influenced by Italian metaphysical painting and pseudoclassicism during and after World War I, neoclassicism by Picasso and others, and Dada's tendency toward objectivity, various tendencies to grasp events with a calm visual sense emerged in Germany after the defeat, as a reaction against the apocalyptic, abstract, and passionate expressionism of the prewar period. *Some of the terminology that mentions "Hartlaub, GF" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…ノイエ・ザハリヒカイトNeue Sachlichkeitの訳。第1次大戦後のドイツ美術における新しい具象的傾向に対して名づけられた言葉で,マンハイム美術館長ハルトラウプGustav Friedrich Hartlaub(1884‐1963)が主宰した美術展(1925)の名称に由来する。第1次大戦中から戦後にかけてのイタリアの形而上絵画と擬古典主義,ピカソらの新古典主義,ダダの即物志向などから影響を受けながら,敗戦後のドイツでは,戦前の黙示録的,抽象的,情熱的な表現主義への反動として事象を冷静な視覚でとらえるさまざまな傾向が現れた。… ※「Hartlaub,G.F.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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