Gorā (English spelling) Gora

In his later years he took the position of humanist religion, and although he despaired of Western civilization, he never lost hope for the future of humanity. His representative works include the collections of poems Sonār Tarī (The Golden Boat) (1894), Balākā (The Migratory Swan) (1916), Punaśca (Postscript) (1933), Patrapuṭ (The Leaf Plate) (1936), Lekhā (The Final Writing) (1941), the novel Gorā (1910), Galpaguccha (The Stories) (1926), the drama Rājā (The King) (1910), the dance drama Citraṅgodā (1936), the lecture Manuṣer Dharma (The Religion of Man) (1933), and Sabhyatār Saṁkaṭ (The Crisis of Civilization) (1941). He also produced many paintings and songs.

*Some of the terminology explanations that mention "Gorā" are listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

…晩年は人間宗教の立場に立ち，西欧文明に絶望しながらも人類の未来への希望を失わなかった。代表作に，詩集《黄金の舟Sonār Tarī》(1894)，《渡る白鳥Balākā》(1916)，《追伸Punaśca》(1933)，《木の葉の皿Patrapuṭ》(1936)，《絶筆Śeṣ Lekhā》(1941)，長編小説《ゴーラGorā》(1910)，《物語集Galpaguccha》(1926)，戯曲《王Rājā》(1910)，舞踊劇《チットランゴダCitrāṅgodā》(1936)，講演《人間の宗教Mānuṣer Dharma》(1933)，《文明の危機Sabhyatār Saṁkaṭ》(1941)等がある。絵画･歌曲も数多い。…

※「Gorā」について言及している用語解説の一部を掲載しています。

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