…Jesuit theatre often performed martyr plays with cruel scenes for the purpose of evangelism. Biedermann's masterpiece Cenodoxus (1602) is a Faustian tale of an angel and God fighting over the soul of a Parisian scholar who has fallen into the sin of arrogance, and has a moral message. Another characteristic of the Baroque stage is the shift from the horizontal stage structure that had previously dealt only with earthly events to a vertical structure with heaven, earth and hell. … *Some of the terminology explanations that mention "Cenodoxus" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…イエズス会演劇では残酷な場面をもつ殉教者劇も,布教の目的でしばしば上演された。傑作といわれるビーダーマンの《ツェノドクススCenodoxus》(1602)は,慢心の罪に陥ったパリの学者の魂を天使と神が奪いあうというファウスト的な物語で,教訓的な内容をもっている。これまで地上の事件のみを扱っていた水平的な舞台構造から,天国,地上,地獄という,垂直的な構造をもつ舞台が考えられているのもバロック舞台の特色であろう。… ※「《Cenodoxus》」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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