…Although forgotten today, his works were a representative part of the German theater repertoire from the 1740s to the 1770s. His most famous work is the tragedy Canute (1746), which depicts the conflict between the Danish king Canute and the ambitious Wolfo. While based on the Enlightenment ideology, he differed from Gottsched in emphasizing the entertainment value of theater and in favor of the establishment of a new type of theater unique to Germany. … *Some of the terminology that mentions "Canut" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…今日では忘れ去られているが,その作品は,1740年代から70年代にかけては,ドイツの劇場の代表的なレパートリーであった。代表作は,デンマーク王クヌット(カヌート)と野心家ウルフォの対立を描いた悲劇《カヌートCanut》(1746)である。思想的には啓蒙主義を基盤にしながら,ゴットシェートとは違って演劇の娯楽性を強調し,ドイツ独自の新しい演劇の確立を主張した。… ※「《Canut》」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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