...In Italy, this style is reflected not only in Lombardy, but also in the works of Gentile da Fabriano, L. Monaco, Masolino, Sassetta, and others who were active in Tuscany. Its influence also reached Spain via Avignon, and was reflected in the altarpieces and manuscript decorations of Luis Borrassá (?-1424) and others around 1400. However, artistic activity declined rapidly from the 1420s, due to the Hussite Wars in Bohemia, centered around Prague, the defeat at Agincourt in France, the death of the Duke of Berry, and the transfer of the capital of Burgundy from Dijon to Bruges. ... *Some of the terminology that mentions "Borrassá, L." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…イタリアではロンバルディアのみならず,トスカナで活躍したジェンティーレ・ダ・ファブリアーノ,L.モナコ,マソリーノ,サセッタなどの作品までこの様式の反映がみとめられる。スペインへもアビニョンを介して影響は及び,1400年前後にはボラッサLuis Borrassá(?‐1424)などの祭壇画や写本装飾に反映している。しかし,プラハを中心とするボヘミアではフス戦争,フランスではアザンクールの敗戦,ベリー公の死,ブルゴーニュ公のディジョンからブルージュへの遷都などを機に,1420年代から芸術的活動は急速に衰退する。… ※「Borrassá,L.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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