...In northern Germany, Arp Schnitger produced the Hamburg style organ, the largest at the time, with five pipes, in the late 17th century, about a century after Niehoff, and thus achieved the synthesis of the Baroque organ. Scheidemann (c. 1596-1663), S. Scheidt, F. Tunder (1614-67), D. Buxtehude, G. Böhm (1661-1733), N. Bruhns (1665-97), and JA Reincken (1623-1722), who were successors of Sweelinck, were active mainly in the Hanseatic cities of Hamburg and Lübeck, and established the North German style with organ chorales based on Protestant chorales (congregational songs) and multi-part toccatas that featured spectacular pedals. At the pinnacle of this diverse development of organ music is J.S. Bach, who left behind many immortal masterpieces that beautifully combined the traditions of various countries. From Bach…In 1700, he moved to the northern German city of Lüneburg, where he joined the choir as a scholarship student at the St. Michael's Church school and experienced a wide variety of worship music. He was also greatly influenced by the local organist and composer Georg Böhm (1661-1733) and the Hamburg organist JA Reincken, and it was during his visit to the court of Celle that he first came into contact with French music. Having grown up on the simple music of central Germany, Bach's outlook was significantly broadened to include the splendor of the northern German style and the refined French style. … *Some of the terminology that mentions "Böhm, G." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…北ドイツでは,シュニットガーArp Schnitgerが,ニーホフから約1世紀後の17世紀後半に,ハンブルク様式とよばれる当時最大の五つのパイプ群から成るオルガンを世に出し,バロック・オルガンの総合を成しとげた。スウェーリンクの系譜をつぐシャイデマンH.Scheidemann(1596ころ‐1663),S.シャイト,トゥンダーF.Tunder(1614‐67),D.ブクステフーデ,ベームG.Böhm(1661‐1733),ブルーンズN.Bruhns(1665‐97),ラインケンJ.A.Reincken(1623‐1722)らがハンブルク,リューベックなどのハンザ自由都市を中心に活躍し,プロテスタントのコラール(会衆歌)に基づくオルガン・コラールやペダルが華々しく活躍する多部分構成のトッカータなどで,北ドイツ様式を打ち立てた。この多様なオルガン音楽の発展の頂点に位置するのがJ.S.バッハで,各国の伝統をみごとに融合した不朽の名作を数多く残した。… 【バッハ】より…1700年に北ドイツの町リューネブルクへ移り,ザンクト・ミヒャエル教会付属学校の給費生として聖歌隊に参加し,礼拝音楽の多彩な曲目を体験した。同地のオルガン奏者で作曲家ベームGeorg Böhm(1661‐1733),ハンブルクのオルガン奏者J.A.ラインケンからも大きな影響を受け,訪れたツェレの宮廷で初めてフランス音楽にも接した。中部ドイツの質朴な音楽のうちで育ったバッハは,ここにいたって,壮麗な北ドイツ様式や洗練されたフランス様式へと,著しく視野を広げたのである。… ※「Böhm,G.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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