Hyakunin Isshu - Hyakunin Isshu
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A type of kasen (immortal poetry selection), in which 100 excellent poets (kasen) are selected, one poem from each, for a total of 100 excellent poems (immortal poetry). Usually, the name refers to the Ogura Hyakunin Isshu, but it also refers to the similarly formatted works called "Ishu Hyakunin Isshu" and "Hyakunin Isshu." [Teruhiko Komachiya] Ogura Hyakunin IsshuThe Ogura Hyakunin Isshu was created by Fujiwara no Teika, who selected one excellent poem from each of the 100 poets, following the example of Fujiwara no Kinto's Thirty-six Immortal Poets' Thirty-six Immortal Poets, and Emperor Gotoba's Jidai Futo Utaawase, which arranged the best poems of 100 poets in the form of a poetry contest. In the entry for May 27, 1235, in Teika's diary Meigetsuki, it is written that Teika was asked by Utsunomiya Yoritsuna (Rensho), father-in-law of his son Tameie, to paste the poems on the shoji screens of his Sagachuin mountain villa, and that he had received a letter from Emperor Tenchi, Fujiwara no Ietaka, Fujiwara no Hibiki, and others. An article about how Tokugawa Teika wrote poems by poets up to Emperor Asuka Masatsune on shikishi paper and sent them to him is said to be closely related to the creation of the Ogura Hyakunin Isshu, and there are two theories about it: one is that it indicates the creation of the Ogura Hyakunin Isshu itself, and the other is that it refers to the Hyakunin Shuka, which is said to be a draft version of the original (it has 97 poems in common with the Ogura Hyakunin Isshu, but does not include the poems of Emperor Gotoba and Emperor Juntoku). It is also said that the Ogura Hyakunin Isshu is also called "Ogura Sansou shikishi waka" (Poems on Ogura Sansou shikishi) because Teika wrote them himself for Saga-Ogura Sansou after he had written them for Yoritsuna. There is also a theory that the last two poems, those of Emperor Gotoba and Emperor Juntoku, were later revised by Tameie. The Ogura Hyakunin Isshu is a collection of excellent poems by poets from the Nara period through to the early Kamakura period, with a focus on poets from the Heian period, and includes poems from imperial anthologies ranging from the Kokinshu to the Shokugosenshu. In terms of content, the overwhelming majority of the poems are love poems (43 poems), and there are 32 poems about the four seasons, of which autumn is the most common with 16, and there are also a fair number of miscellaneous poems (20 poems, including one poem titled Zoaki). The poems selected include those that are elegant, sentimental, and dramatic. The composers were 79 men (including 13 monks) and 21 women, which reflects the heyday of women's literature in some ways. The excellent poems, arranged in roughly chronological order, seem to offer a glimpse into the quintessence of the history of imperial waka poetry, and throughout them one can see the prototypes of the Japanese sense of nature and the seasons, their aesthetic sense, and their delicate and sophisticated expressive techniques and linguistic sense. The Ogura Hyakunin Isshu was widely enjoyed as a representative work of classical literature, and was first passed down as the secret teachings of waka poetry to the Nijo family. Numerous commentaries were written, such as the Oei-sho and Sogi-sho. Even in the early modern period, many full-scale commentaries were written, such as Kitamura Kigin's Hyakunin Isshu Shusui-sho, Keichu's Hyakunin Isshu Kaikan-sho, Kamo Mabuchi's Uimanabi, and Kagawa Kageki's Hyakushu Iken. Furthermore, from the mid-Edo period, it became popular as an introductory text to the classics, especially for women, and was published in large volumes bound together with illustrated annotations and practical books for women, along with "The Tale of Genji: Poems in Each Volume (The Genji Incense Picture)" and "The Thirty-six Immortal Poets." Meanwhile, among the popular games of the time, such as karuta and illustrated sugoroku, "Ogura Hyakunin Isshu Karuta" was also created. There were also many "different Hyakunin Isshu" such as Yoshihisa Ashikaga's "Shin Hyakunin Isshu", "Gosen Hyakunin Isshu" which was based on Yoshimoto Nijō, "Buke Hyakunin Isshu" and "Nyobo Hyakunin Isshu" by Tadatsugu Sakakibara, "Genji Hyakunin Isshu" by Okinamaro Kurosawa, "Kokinshu Hyakunin Isshu (Kokin Wakashu One Poem Selection)" by Moriaki Omori, and even in modern times, "Taizen Meiji Shin Hyakunin Isshu" and "Aikoku Hyakunin Isshu". There were also many parodies such as Yusoan's "Inu Hyakunin Isshu" and Nanpo Ota's "Kyōka Hyakunin Isshu". Today, in addition to being used as a classical textbook, the Ogura Hyakunin Isshu has become popular as a karuta card for home play, and there are various ways to play it, such as scatter-picking, Genpei-Gassen, and Bozu-mekuri, and it is also widely played as a competitive karuta game. [Teruhiko Komachiya] "Hyakunin Isshu, translated and annotated by Shimazu Tadao (Kadokawa Bunko)" ▽ "Hyakunin Isshu, translated and annotated by Ooka Makoto (Kodansha Bunko)" ▽ "Ocho Shukasen, annotated by Higuchi Yoshimaro (Iwanami Bunko)" ▽ "Hyakunin Isshu, translated and annotated by Ariyoshi Tamotsu (Kodansha Academic Library)" [References] | [Supplementary Materials] |<Upper verse> In the autumn fields, in the hut of my temporary hut, I grumble the straw. <Lower verse> My clothes and hands are wet with dew. Aki no tanokari honoi honoma wo ara mi My clothes and hands are wet with dew. Fixed characters (fixed characters): Characters (sounds) that specify a poem / Emperor Tenchi of autumn, drawn by Hishikawa Moronobu [and others], Ogura Hyakunin Isshu, 1680 (Enpo 8), owned by the National Diet Library Ogura Hyakunin Isshu (1) Poet/Emperor Tenchi <Upper verse> Spring has passed, and summer has come, Shirotaeno <Lower verse> Clothes are hung out to dry on Mount Kagu in the heavens Spring has passed, and summer has come, Shirotaeno koromo hosutefu amano kaguyama Fixed character (fixed character): Character (sound) that specifies the poem / Harusu Empress Jito Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (2) Poet/Empress Jito Upper verse: Ashihikino yamadori no wo no shidari wo no (tail of a mountain bird) Lower verse: Ashihikino yamadori no wo no shidari wo no (tail of a mountain bird) Naganaga shiyo wo hitori kamo nemu Fixed character (fixed character): Character (sound) that specifies the poem / Ashi Kakinomoto no Hitomaro (Kakinomoto no Hitomaro) Hishikawa Moronobu (illustrator) and others, Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession Ogura Hyakunin Isshu (3) Poet/Kakinomoto no Hitomaro (… <Upper verse> When I step out into Tagonoura Bay, I see the white snow <Lower verse> On the high peaks of Mt. Fuji, snow is falling Fixed characters (fixed characters): Characters (sounds) that specify the poem / Tago Yamabe no Akahito (Yamabe no Akahito) Hishikawa Moronobu (and others) "Ogura Hyakunin Isshu" 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (4) Poet/Yamabe no Akahito (Yamabe no Akahito) <Upper verse> In the deep mountains, stepping through the autumn leaves, a deer cries. <Lower verse> When I hear its voice, autumn is sad. In the deep mountains, stepping through the autumn leaves, a deer cries. When I hear its voice, autumn is sad. Fixed characters (fixed characters): Characters (sounds) that specify a poem / Oku Sarumaru Dayu (Sarumaru Dayu) Hishikawa Moronobu (and others) "Ogura Hyakunin Isshu" 1680 (Enpo 8) National Diet Library Ogura Hyakunin Isshu (5) Poet/Sarumaru Dayu (Sarumaru… <First verse> Frost on the bridge where the magpies cross <Second verse> Looking at the white, the night has grown late. Looking at the white, the night has grown late. Fixed characters (fixed characters): Characters (sounds) that specify a poem / Kasa Otomo no Yakamochi (Chuunagon no Yakamochi) Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (6) Poet/Otomo no Yakamochi (Middle… <First verse> Looking back at the heavens, it is Kasuga (spring day) <Second verse> Perhaps the moon has risen over Mt. Mikasa. Looking back at the heavens, it is Kasuga (spring day) Fixed characters (fixed characters): Characters (sounds) that identify a poem / Amano Abe no Nakamaro (Abe no Nakamaro, Abe no Nakamaro) Hishikawa Moronobu (and others) "Ogura Hyakunin Isshu" 1680 (Enpo 8) National Diet Library Ogura Hyakunin Isshu (7) Poet/Abe no Nakamaro (… <First verse> My hut is in the Tatsumi Mountains of the capital, and that is how I live. <Second verse> People call the world a mountain. My hut is in the Tatsumi Mountains of the capital, and that is how I live. Fixed characters (fixed characters): Characters (sounds) that specify a poem / Wagai Kisen (Kisen Hoshi), illustrated by Hishikawa Moronobu [and others], Ogura Hyakunin Isshu, 1680 (Enpo 8), held at the National Diet Library . Ogura Hyakunin Isshu (8) Poet/Kisen (Kisen method)… <First verse> The color of the flowers has changed, in vain <Second verse> I look at the scenery, as if it were falling on my body, Hana no iro wa furinikerinai tazura ni Waga mi yo ni furu nagame se shima ni Fixed characters (fixed characters): Characters (sounds) that identify a poem / Hana no Ono no Komachi, illustrated by Hishikawa Moronobu [and others], Ogura Hyakunin Isshu, 1680 (Enpo 8), held at the National Diet Library Ogura Hyakunin Isshu (9) Poet/Ono no Komachi <Upper verse> This is this, going and coming back, we part ways <Lower verse> Whether we know it or not, it's the Osaka Pass This is this, going and coming back, we part ways Knowing or not, it's the Osaka Pass Fixed characters (fixed characters): Characters (sounds) that specify a poem / This is Semimaru Hishikawa Moronobu's painting [and others] "Ogura Hyakunin Isshu" 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (10) Poet: Semimaru Upper verse: "We rowed out from the plains of the mountains, over the eighty islands." Lower verse: "Tell everyone, the fishing boat of the rainbow." Fixed characters: Characters (sounds) that identify poems/Wataharaya Ono no Takamura (Councillor Takamura) Hishikawa Moronobu (and others) "Ogura Hyakunin Isshu" 1680 (Enpo 8) National Diet Library Ogura Hyakunin Isshu (11) Poet/Ono no Takamura (Part 3) Upper verse: Amatsukaze Kumonokayohijifukitojyo Otome no sugata Shimashitomemu Fixed characters (fixed characters): Characters (sounds) that specify the poem / Amatsu Hensho (Sojo Hensho) Hishikawa Moronobu (and others) Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (12) Poet/Hensho (priest) <Upper verse> The river flows from the peak of Mt. Tsukuba <Lower verse> Love piles up and becomes a deep pool. Tsukuba-ne no mi no o tsuru minano ga ha koi zo tsumorite fuchi ni narinuru Fixed character (fixed character): A character (sound) that specifies a poem / Tsuku Emperor Yozei (Yosei-in) Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (13) Poet/Emperor Yozei (… <First verse> Mutsu no shinobumojizuritare yue ni <Second verse> I am confused, I am not able to speak, Michinoku no shinobumojizuritare yue ni I am not able to speak, Michinoku no shinobumojizuritare yue ni I am not able to speak, Michinoku no shinobumojizuritare yue ni I am not able to speak, Michinoku no shinobumojizuritare yue ni I am not able to speak, Michinoku no shinobumojizuritare yue ni I am not able to speak, Michinoku no shinobumojizuritare yue Ogura Hyakunin Isshu (14) Poet/Minamoto Toru (Kawahara… <Upper verse> For you, I go out into the spring fields to pick young leaves. <Lower verse> Snow is falling on my hands. For you, I go out into the spring fields to pick young leaves. <Lower verse> Snow is falling on my hands. For you, I go out into the spring fields to pick young leaves. Ogura Hyakunin Isshu (15) Poet/Emperor Koko <Upper verse> "We parted ways, growing on the peak of Inaba mountain" <Lower verse> "If I had heard it was a pine tree, I would have returned home now" "We parted ways, growing on the peak of Inaba mountain" "If I had heard it was a pine tree, I would have returned home now" Fixed character (fixed character): Character (sound) that specifies the poem / "Tachi" Ariwara no Yukihira (Chuunagon Yukihira) Hishikawa Moronobu illustration [and others] "Ogura Hyakunin Isshu" 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (16) Poet/Ariwara no Yukihira (… <First verse> Chihayaburu Even in the age of the gods, no one has heard of Tatsuta River <Second verse> The water is crimson red, and the river is crimson red. Chihayaburu kamiyomo kikazutatagawa Karakurenai ni mizukukuru towa Fixed character (fixed character): Character (sound) that specifies the poem / Chiha Ariwara no Narihira (Ariwara no Narihira Ason) Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (17) Poet/Ariwara no Narihira (… <Upper verse> The waves that wash up on the shore of Suminoe, even at night <Lower verse> The path of my dreams, even at night, even though I am scrutinized by others. Suminoe no kishi yoru namimi yoru saeya Yume no kayo hiji hitome yoku ramu Fixed characters (fixed characters): Characters (sounds) that specify the poem / su Fujiwara no Toshiyuki (Fujiwara no Toshiyuki Ason) Hishikawa Moronobu illustrations [and others] Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession Ogura Hyakunin Isshu (18) Poet/Fujiwara Toshiyuki (… <Upper verse> Naniwagata, between the short reeds <Lower verse> We will pass this world by, and I will not meet you again. Naniwagata, between the short reeds <Lower verse> We will pass this world by, and I will not meet you again. Naniwagata, between the short reeds <Lower verse> We will not meet again. Naniwagata, between the short reeds <Lower verse> We will not meet again. Naniwagata, between the short reeds <Lower verse> We will not meet again. Naniwagata, between the short reeds Ogura Hyakunin Isshu (19) Poet/Ise <First verse> Now that I'm sad, we're all the same, in Naniwa <Second verse> Even if I give my all, I think we'll be together If I'm sad, we're all the same, even if I give my all, I think we'll be together Fixed characters (set characters): Characters (sounds) that specify a poem / Wabi Prince Motoyoshi, illustrated by Hishikawa Moronobu [and others], Ogura Hyakunin Isshu, 1680 (Enpo 8), owned by the National Diet Library Ogura Hyakunin Isshu (20) Poet/Prince Motoyoshi <First verse> I'm going to come, and just as I was told, in the Nagatsuki moon <Second verse> I'm going to come, and just as I was told, in the Nagatsuki moon, and just as I was waiting for the dawn moon. Fixed characters (fixed characters): Characters (sounds) that specify the poem / Imako Sosei (Sosei Hoshi) Hishikawa Moronobu and others, Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession Ogura Hyakunin Isshu (21) Poet/Background (Background… <Upper verse> Because it blows, the autumn grass and trees are wilting. <Lower verse> Indeed, the mountain wind must be called a storm. Because it blows, the autumn grass and trees are wilting. Indeed, the mountain wind must be called a storm. Fixed characters (fixed characters): Characters (sounds) that identify a poem / Fu, Yasuhide Fumiya, illustration by Hishikawa Moronobu [and others], Ogura Hyakunin Isshu, 1680 (Enpo 8), owned by the National Diet Library Ogura Hyakunin Isshu (22) Poet: Yasuhide Bunya <Upper verse> When I look at the moon, I see how the autumn is so short, how sad it is <Lower verse> When I look at the moon, I see how the autumn is so short, how sad it is I see how the autumn is so short, how sad it is I see how the autumn is so long, how sad it is I see how sad it is Ogura Hyakunin Isshu (23) Poet: Oe Senri Upper verse: This time, I will not even take a offering, Tamukeyama Lower verse: The autumn leaves are bronzed, and I am at the mercy of the gods, This time, I will not even take a offering, Tamukeyama Maple ... Fixed character: A character (sound) that specifies a poem / This Sugawara no Michizane (Suga family) Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu, 1680 (Enpo 8), owned by the National Diet Library Ogura Hyakunin Isshu (24) Poet/Michizane Sugawara (… <Upper verse> If I bear the name, I will bear the sanekazura of Mount Osaka <Lower verse> If people know about it, I will be known, I will be known, I will be known, I will be known Fixed character (fixed character): Character (sound) that specifies the poem / Nanishi Sanjo Udaijin (Minister of the Right Sanjo) (Fujiwara Sadakata) Hishikawa Moronobu illustration [and others] "Ogura Hyakunin Isshu" 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (25) Poet/Minister of the Right, Sanjo... Upper verse: If only I could see the maple leaves on the peak of Mt. Ogura. Lower verse: Now I will wait for the Emperor's visit once more. Ogurayama Mine no Momijiba Kokoro arababa Now I will wait for the Emperor's visit once more. Fixed characters: Characters (sounds) that specify the poem / Ogu Fujiwara Tadahira (Lord Sadanobu) Hishikawa Moronobu illustrations [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (26) Poet/Fujiwara Tadahira (… <First verse> Mika no hara, igite nagaru izumi ga wa, itsumiki to te ka koishikaruramu <Second verse> Mika no hara, igite nagaru izumi ga wa, itsumiki to te ka koishikaruramu Fixed characters (fixed characters): Characters (sounds) that specify a poem / Mika no Fujiwara no Kanesuke (Chuunagon Kanesuke) Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession Ogura Hyakunin Isshu (27) Poet/Fujiwara no Kanesuke (… <Upper verse> In the mountain village, winter is all the more lonely. <Lower verse> When I think that neither the eyes nor the grass will wither, Yamaza to fuyu zo sabiso sarikeru. Fixed character (fixed character): Character (sound) that specifies the poem / Yamaza Minamoto no Munesada Hishikawa Moronobu (illustrator) and others, Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession Ogura Hyakunin Isshu (28) Poet/Minamoto no Muneta Ason <Upper verse> If I were to pluck them, with my heart in mind, I would pluck them, of the first frost. <Lower verse> The white chrysanthemum flowers are bewildered, If I were to pluck them, with my heart in mind, I would pluck them, of the first frost. Fixed characters (fixed characters): Characters (sounds) that specify a poem / Kokoroa. By Okawachi Munehisa Tsunehisakawa Moronobu and others. Ogura Hyakunin Isshu, 1680 (Enpo 8), held at the National Diet Library . Ogura Hyakunin Isshu (29) Poet: Munehisa Ogawa Upper verse: Since the dawn, when the cold, cold-hearted parting has come Lower verse: Since the dawn, when the cold, cold-hearted parting has come I have nothing to be sad about Fixed characters: Characters (sounds) that specify a poem / Aria Mibu Tadamine Hishikawa Moronobu Illustrations [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) Owned by the National Diet Library Ogura Hyakunin Isshu (30) Poet: Tadamine Mibu <Upper verse> As dawn approaches, the moon appears bright. <Lower verse> In the village of Yoshino, the white snow touches me. Asaborakea, the moon appears bright. Yoshino no sato ni fureru shirayuki. Fixed characters (fixed characters): Characters (sounds) that identify poems / Asaborakea Sakagami no Yoshinobu, illustrated by Hishikawa Moronobu [and others] Ogura Hyakunin Isshu, 1680 (Enpo 8), held at the National Diet Library . Ogura Hyakunin Isshu (31) Poet: Sakagami Yoshinori Upper verse: On the mountain and river, The wind has cast a spell on them Lower verse: The leaves are red, and the flow is impossible The leaves are red, and the flow is impossible Fixed character: A character (sound) that specifies a poem / Yamaga Harumichi Retsuju Hishikawa Moronobu Illustration [and others] Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession Ogura Hyakunin Isshu (32) Poet/Harumichi Reki Upper verse: In the calm of the spring sun, the light of the day is calm. Lower verse: Without any sense of calm, the flowers are falling. The light of the day is calm, the light of the day is calm. The flowers are falling without any sense of calm. Fixed characters: Characters (sounds) that specify the poem / Hisaki Tomonori, Hishikawa Moronobu, et al., Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library Ogura Hyakunin Isshu (33) Poet: Ki no Tomonori <First verse> Whom shall I make known to me? Takasago no matsu mo mu no tomonanakuni <Second verse> Even the pine trees are no longer my old friends. Whom shall I make known to me? Takasago no matsu mo mu no tomonanakuni Fixed characters (fixed characters): Characters (sounds) that specify a poem / Who is Fujiwara no Kofu? Hishikawa Moronobu (illustrator) and others, Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession Ogura Hyakunin Isshu (34) Poet: Fujiwara Kofu <First verse> People do not know the heart of their hometown. <Second verse> Flowers smell like the fragrance of olden times. People do not know the heart of their hometown. Flowers smell like the fragrance of olden times. Fixed characters (set characters): Characters (sounds) that specify a poem. People are Ki no Tsurayuki, Hishikawa Moronobu, and others. Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession . Ogura Hyakunin Isshu (35) Poet: Ki no Tsurayuki <Upper verse> The summer night is still early, but dawn is fast approaching. <Lower verse> Where in the clouds does the moon reside? The summer night is still early, but dawn is fast approaching. Fixed character (fixed character): Character (sound) that specifies the poem / Natsu Kiyohara Fukayabu Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (36) Poet/Kiyohara Fukayafu <First verse> The wind blows on the white dew in the autumn fields <Second verse> The jewels that could not be stopped are scattered. White dew, the wind blows, autumn fields. <Second verse> The jewels that could not be stopped are scattered. White dew, the wind blows, autumn fields. <Second verse> The jewels that could not be stopped are scattered. Fixed characters (fixed characters): Characters (sounds) that specify a poem / Shirabunya Asayasu, Hishikawa Moronobu, et al., Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession Ogura Hyakunin Isshu (37) Poet: Tomoya Bunya <First verse> I approached you without thinking of myself, who had been forgotten. <Second verse> How precious is a person's life? How precious is a person's life. How precious is a person's life. Fixed characters (phonics): Characters (phonics) that specify a poem / Wasura Ukon Hishikawa Moronobu (and others) "Ogura Hyakunin Isshu" 1680 (Enpo 8) National Diet Library Ogura Hyakunin Isshu (38) Poet/Ukon Upper verse: Reed grass is alive, Ono no Shinohara, shinoburedo Lower verse: Why should I miss someone so much? Asaji funo no no no hara shinoburedo A little too much, why should I miss someone so much? Fixed characters: Characters (sounds) that specify a poem / Asaji Sangi to (Minamoto to) Hishikawa Moronobu and others, Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library Ogura Hyakunin Isshu (39) Poets/Councillors, etc. (Genji... <First verse> I tried to hide, but my love was revealed <Second verse> I tried to hide, but my love was revealed until someone asked me, "What is this?" Fixed characters (phonics): Characters (sounds) that identify poems / Shino Hiranobu, illustrated by Hishikawa Moronobu [and others], "Ogura Hyakunin Isshu", 1680 (Enpo 8), owned by the National Diet Library Ogura Hyakunin Isshu (40) Poet/Taira no Kanemori <First verse> I have cast away my love, my name has yet to be heard. <Second verse> I have cast away my love, my name has yet to be heard. I have cast away my love, my name has yet to be heard. Fixed characters: Characters (sounds) that specify a poem / Koi Mibu Tadami Hishikawa Moronobu and others, Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession Ogura Hyakunin Isshu (41) Poet: Mibu Tadami <Upper verse> I have made a promise to myself, and as I wring my sleeves out, <Lower verse> At the end of the mountain, I see the waves crossing, and as I wring my sleeves out, I tear up the mountain, and as I wring my sleeves out, Suenomatsuyamanamikosajitoha. Fixed characters (set characters): Characters (sounds) that specify a poem / Chigiriki Kiyohara Gensuke, Hishikawa Moronobu, and others, Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library Ogura Hyakunin Isshu (42) Poet: Gensuke Kiyohara <First verse> When I see you, I compare it to how I feel afterwards <Second verse> In the past, I didn't think about anything When I see you, I compare it to how I feel afterwards In the past, I didn't think about anything Fixed characters (fixed characters): Characters (sounds) that specify a poem / Ahi Gon Chunagon Atsutada (Chunagon Atsutada, Fujiwara Atsutada) Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (43) Poet/Gon Chunagon Atsushi… <Upper verse> If our encounters never cease, it would be difficult <Lower verse> I would not hate either myself or the people I meet If our encounters never cease, it would be difficult I would not hate either myself or the people I meet Fixed characters (fixed characters): Characters (sounds) that specify the poem / afuko Chunagon Asatada (Fujiwara Asatada) Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (44) Poet/Chuunagon Asatada... <First verse> "Aware" is a phrase that should be said by the person who is thinking of it <Second verse> "Aware" is a phrase that should be said by the person who is thinking of it Fixed characters (fixed characters): Characters (sounds) that specify the poem / "Aware" Fujiwara no Koretada (Kentoku-ko) Hishikawa Moronobu (and others) "Ogura Hyakunin Isshu" 1680 (Enpo 8) National Diet Library Ogura Hyakunin Isshu (45) Poet/Fujiwara Ishu (… Upper verse: A boatman crossing the Yura River breaks his rudder Lower verse: Unsure of his destination, the path of love A boatman crossing the Yura River breaks his rudder Unsure of his destination, the path of love Fixed characters: Characters (sounds) that identify a poem / Yura Sone Yoshitada Hishikawa Moronobu illustrations [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (46) Poet: Yoshitada Sone <First verse> The loneliness of the inn, where the double grass grows thickly <Second verse> Autumn has come, and no one can be seen. The loneliness of the inn, where the double grass grows thickly. The loneliness of the inn, where no one can be seen. Fixed characters (fixed characters): Characters (sounds) that identify a poem / Yahe Keikei Hoshi, illustrated by Hishikawa Moronobu [and others], Ogura Hyakunin Isshu, 1680 (Enpo 8), owned by the National Diet Library Ogura Hyakunin Isshu (47) Poet: Keikei Hoshi Upper verse: I lament the wind, the waves crashing against the rocks, only I am. Lower verse: It's time to think casually about things. Kaze o wo wo imi wa utsunami no onore ni. It's time to think casually about things. Fixed characters: Characters (sounds) that specify a poem / Kaze o Minamoto Shigeyuki, illustrated by Hishikawa Moronobu [and others], Ogura Hyakunin Isshu, 1680 (Enpo 8), held at the National Diet Library . Ogura Hyakunin Isshu (48) Poet/Minamoto Shigeyuki <Upper verse> The fires lit by the guards of the fence burn in the night <Lower verse> As the day fades, one must think of something else. Mikakimorieji no takuhi no yoru wa moe Hiru wa kie tsu te mono koso omoe Fixed characters (fixed characters): Characters (sounds) that specify a poem / Mikaki Onakatomi Yoshinobu (Onakatomi Yoshinobu Ason) Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (49) Poet/Onakatomi Yoshinobu… <First verse> For you, I have not regretted my life <Second verse> For you, I have not regretted my life For you, I have not regretted my life Fixed characters (fixed characters): Characters (sounds) that specify a poem / Kimigatame wo Fujiwara no Yoshitaka Hishikawa Moronobu [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (50) Poet: Fujiwara Yoshitaka <First verse> Kakutodani eya haibiki no sashimokusa <Second verse> I do not even know of your burning feelings Kakutodani eya haibiki no sashimokusa I do not even know of your burning feelings Fixed characters (fixed characters): Characters (sounds) that specify a poem / Thus Fujiwara no Sanekata (Fujiwara no Sanekata Ason) Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (51) Poet/Fujiwara no Sanekata (… <First verse> When dawn breaks, I know that night will come, <Second verse> I still hate the dawn, As dawn breaks, I know that night will come, Nahorameshiki asaborakekana Fixed character (fixed character): Character (sound) that specifies the poem / dawn Fujiwara Michinobu Ason Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (52) Poet/Fujiwara no Michinobu Asa… <First verse> Lamenting, I sleep alone, until dawn comes <Second verse> How long it has been, I know. Lamenting, I sleep alone, until dawn comes. Fixed characters (fixed characters): Characters (sounds) that specify the poem / Lamenting, Fujiwara no Michitsuna's Mother (Udaisho Michitsuna's Mother) Hishikawa Moronobu illustrations [and others] Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession Ogura Hyakunin Isshu (53) Poet/Mother of Michitsuna Fujiwara… <Upper verse> I will not forget until the end, because it is difficult <Lower verse> I wish today were the last day of my life I wish today were the last day of my life Fixed characters (fixed characters): Characters (sounds) that specify the poem / Wasuregi, Dosanji's mother, Hishikawa Moronobu, et al., Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library Ogura Hyakunin Isshu (54) Poet/Mother of Sanji Gido <First verse> The sound of the waterfall has long since ceased, but <Second verse> The name still flows and can still be heard. The sound of the waterfall has long since ceased, but the name still flows and can still be heard. Fixed character (fixed character): A character (sound) that specifies a poem / waterfall Fujiwara no Kinto (Dainagon Kinto) Hishikawa Moronobu (illustrator) and others, Ogura Hyakunin Isshu, 1680 (Enpo 8), owned by the National Diet Library Ogura Hyakunin Isshu (55) Poet/Fujiwara no Kinto (… <First verse> Arazaramu Kono yo no hokoi de ni Ima hito toha no aou kogana <Second verse> I wish we could meet even once more Arazaramu Kono yo no hokoi de ni Ima hito toha no aou kogana Fixed characters (fixed characters): Characters (sounds) that specify the poem / Arazara Izumi Shikibu Hishikawa Moronobu illustrations [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (56) Poet/Izumi Shikibu <First verse> Did we meet and see each other, or before we knew it? <Second verse> The midnight moon, hidden by clouds. Did we meet and see each other, or before we knew it? Fixed characters (fixed characters): Characters (sounds) that identify a poem. Murasaki Shikibu, Hishikawa Moronobu, and others, Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession Ogura Hyakunin Isshu (57) Poet/Murasaki Shikibu Upper verse: Mt. Arima, Inana no Sasahara, when the wind blows Lower verse: Come out, I'll forget you Arima yamaina no Sasahara, when the wind blows, I'll come out, I'll forget you Fixed character (fixed character): Character (sound) that specifies the poem / Arima Daini Sanmi Hishikawa Moronobu [and others] "Ogura Hyakunin Isshu" 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (58) Poet/Daini Sanmi Upper verse: Yasuraha de, ne namashita mono, sayofukete, katabuku made no tsuki wo misikana. Lower verse: Yasuraha de, ne namashita mono, sayofukete, katabuku made no tsuki wo misikana. Fixed characters: Characters (sounds) that identify poems / Yasuakasomeemon, Hishikawa Moronobu, et al., Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library Ogura Hyakunin Isshu (59) Poet: Akazome Emon <First verse> Mt. Oe, the road through the fields is far away <Second verse> I have not yet set foot on Amanohashidate Ohoeyamaikunomichinotohokera mada tomi mo mizu ama no hashidate Fixed characters (fixed characters): Characters (sounds) that specify a poem / OhoeKoshikibu no NaishiHisakawa Moronobu illustrations [and others]Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (60) Poet/Kosekibu no Naishi <First verse> In ancient times, the double cherry blossoms of the Nara capital <Second verse> Today, the scent of nine layers of cherry blossoms is strong. Inishihe no Nara no Miya Kono Yahe Sakura Today, the scent of nine layers of cherry blossoms is strong. Fixed characters (fixed characters): Characters (sounds) that identify a poem / Inishi Ise no Daifu Hishikawa Moronobu (illustrator) and others, Ogura Hyakunin Isshu, 1680 (Enpo 8), owned by the National Diet Library Ogura Hyakunin Isshu (61) Poet/Ise Daisuke <Upper verse> Even if the birds plot in the night, the sound of the sky will not be tolerated. <Lower verse> Yo ni Ausaka no Seki wa Yurusajii Yo wo komete tori no soranee wa hakarutomo Yo ni Ausaka no Seki wa Yurusajii Fixed character (fixed character): A character (sound) that specifies a poem / Yo o Sei Shonagon Hishikawa Moronobu [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (62) Poet/Sei Shonagon <First verse> Now I can only think of you, and I cannot stop thinking of you. <Second verse> I wish I could tell you without telling anyone. Now I can only think of you, and I cannot stop thinking of you. Fixed characters (fixed characters): Characters (sounds) that specify a poem / Now it is Sakyo no Daifu Michimasa (Fujiwara no Michimasa) Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession Ogura Hyakunin Isshu (63) Poet/Sakyo-no-dayu-do… <First verse> At dawn, the mist of the river of Uji ceases to exist <Second verse> Appearing, the netting of the rapids Asaborake Uji no kahagiritae ni Arawarewataru seze no ajirogi Fixed characters (fixed characters): Characters (sounds) that identify the poem / Asaborakeu Gon Chunagon Sadayori (Fujiwara Sadayori) Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (64) Poet/Gon Chunagon Sadanobu… <Upper verse> I lament my grudge, even in my sleeves I cannot forgive. <Lower verse> My name is what I regret, even though it is in my sleeves I cannot forgive. Fixed characters (set characters): Characters (sounds) that identify a poem / Ura Sagami Hishikawa Moronobu and others, Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession Ogura Hyakunin Isshu (65) Poet/Sagami Upper verse: Let us all feel pity for the mountain cherry blossom Lower verse: No one knows better than the flower Let us all feel pity for the mountain cherry blossom No one knows better than the flower Fixed characters: Characters (sounds) that specify the poem / Morokoson (former Daisojo Gyoson) Hishikawa Moronobu illustrations [and others] Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library possession Ogura Hyakunin Isshu (66) Poet/Gyoson (former Meiji… <First verse> On a spring night, my pillow is filled with dreams. <Second verse> Pointlessly standing, my name is a pity. Spring night, my pillow is filled with dreams ... Ogura Hyakunin Isshu (67) Poet/Suo no Naishi <First verse> If I live long in this sad world, without it even in my heart <Second verse> I should be in love with the midnight moon. I should be in love with the midnight moon. Fixed characters (set characters): Characters (sounds) that specify a poem / In my heart, Emperor Sanjō (Sanjō-in, Sanjō-in) Hishikawa Munenobu (and others) Ogura Hyakunin Isshu, 1680 (Enpō 8), National Diet Library Ogura Hyakunin Isshu (68) Poet/Emperor Sanjo (… Upper verse: A storm is blowing through the maple leaves of Mt. Mimuro Lower verse: A storm is blowing through the maple leaves of Mt. Mimuro The leaves of the maple leaves of the Mt. Mimuro are like a brocade of the river Tatsuta The maple leaves of the mountain are like a brocade of the river Tatsuta The maple leaves of the mountain are like a brocade of the river Tatsuta The maple leaves of the mountain are like a brocade of the river Tatsuta Ogura Hyakunin Isshu (69) Poet/Noin (Noin… <First verse> Feeling lonely, I left my inn and looked at the scenery <Second verse> The autumn twilight is the same everywhere. Feeling lonely, I left my inn and looked at the scenery. The autumn twilight is the same everywhere. Fixed characters (fixed characters): Characters (sounds) that specify the poem / Sarasen Hoshi, Hishikawa Moronobu, et al., Ogura Hyakunin Isshu, 1680 (Enpo 8), National Diet Library Ogura Hyakunin Isshu (70) Poet/Ryosen Hoshi <Upper verse> When evening comes, the rice leaves of the gate fields come to me <Lower verse> An autumn wind blows through the round reed hut. Fixed characters (fixed characters): Characters (sounds) that specify the poem / Yufu Minamoto no Tsunenobu (Dainagon Tsunenobu) Hishikawa Moronobu illustrations [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (71) Poet/Minamoto no Tsunenobu (Great… Upper verse: Listen to the sound, the waves of Takashinohama Beach are wicked. Lower verse: I can hear the sound, the waves of Takashinohama Beach are wicked. I can hear the wetness of my sleeves. Fixed characters: Characters (sounds) that identify a poem / Princess Oto Yuko's family Kii Hishikawa Moronobu illustrations [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (72) Poet/Princess Yuko... <First verse> The cherry blossoms on the top of Takasago have bloomed. <Second verse> The mist of Toyama cannot be seen without standing. Takasago no ono no sakura saki ni keri Toyama no kasumi cannot be seen without standing. Fixed characters (set characters): Characters (sounds) that specify a poem / Taka Oe Masafusa (former provisional middle counselor Masafusa, former middle counselor Masafusa) Hishikawa Moronobu illustrations [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (73) Poet/Masafusa Oe (… Upper verse: The rising of a man, the rising of the mountain of Hatsuse Lower verse: The rising of a man, the rising of the mountain of Hatsuse, the rising of a man ... Ogura Hyakunin Isshu (74) Poet/Minamoto no Toshiyori (Minamoto… <Previous poem> The dew is the dew with life <Previous poem> Ahare This year's autumn is gone too, the tear-grilled fall is gone, the tear-grilled fall is gone, the tear-grilled fall is gone, the tear-grilled fall is gone, the tear-grilled fall is gone, the tear-grilled fall is fixed (deadline) of this year's Akimo Isuri (deadline): Characters that identify the song (sound) / Chigirio Fujiwara Mototoshi Hishikawa Motosho [etc.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (75) Poet/Fujiwara Motoshi <Previous poem> Watanohara When I paddled, I see it as Hisakata <Previous poem> Cloudy-ni-magafu Okitsu Shiranami When I look at it as Hisakata, I see it as Hisakata Kumoi-ni-magafu Okitsu Shiranami Fixed character (determined character): character (sound) that identifies the song/Watanoharako Fujiwara Tadamichi (former Minister of the Hosoji Temple Irido) Hishikawa Momo no Michi [et al.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (76) Poet/Fujiwara Tadamichi (… <Previous poem> Fast the stove, and the rocks are raised. Takikawa's <Previous poem> Even if it is a "Lower poem>, I think that we will meet again. Even if it is a "Lower poem" I think that we will meet again. Even if it is a "Lower poem" I think that we will meet again. Even if it is a "Sueniahama" I think that it will meet again. Even if it is a song, it will be fixed (decimal): Characters that identify the song (sound) / Emperor Se Sotoku (Soutokuin) Hishikawa Mamoru Sensho [et al.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (77) Poet/Emperor Sutoku (… <Previous poem> Awaji Island At the sound of a kayofu chidori, <Previous poem> Suma's sekimori never wakes up at night, Ahajishima Kayo no Fuchidori, and I go to the kayo no Fuchidori, and I go to the kayo no Fuchidori, and I go to the kayo no Suma's sekimori, set character (deadline): character (sound) that identifies the song/Ahaji Genkanesho Hishikawa Moro Sensho [etc.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (78) Poet/Genkanemasa <Previous poem> From the clouds flying in the autumn breeze <Previous poem> From the shadow of the moon, from the shadow of the moon, from the shadow of the moon, from the shadow of the moon, from the clear character (decimal): Characters that identify the song (sound) / Akika Fujiwara Kensuke (Sakyo Daiu Kensuke) Hishikawa Moro no Mission [etc.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (79) Poet/Fujiwara Kensuke (… <Previous poem> The long poem> The dark haired, with no sense of heart, the lower poem> is confused this morning, and I think about things, I can't help but think about things, I can't help but think about things, I can't help but think about things, I can't help but think about things, I can't help but think about things, I can't help but think about things (definite characters): The character (sound) that identifies songs/Nagaka Machikenmonin Horikawa Hishikawa's protagonist [etc.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (80) Poet/Machikenmonin Hori... <Previous poem> If you look at the side that makes a sound, the "Lower poem> Only the moon in Ariake will remain. If you look at the side that doesn't leave the moon, you will see that there will be no place to the side that makes a sound. The character that identifies the song (sound) / Fujiwara Misada (Minister of Gotokudaiji), Hishikawa Moro no Misada [etc.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (81) Poet/Fujiwara Misada (… <Previous poem> Thoughts Now, life is something that is there, <Previous poem> Unbearing the sadness is like a tear Even if you are scared, life is like a life is like a squeal, Ukini-tan-hanamida-da-san, a set character (decimal): character (sound) that identifies a song/Omodo-in-in-the-Hikawa Moro-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo-in-the-mo -in-the-mo-in-the-mo- in-the-mo-in-the Ogura Hyakunin Isshu (82) Poet/Doujin Hoshi <Above poem> In the world, there is no way, I think <Above poem> In the depths of the mountains, there is no way, there is no way, there is no way, there is no way, there is no way, there is no way, there is no way, the characters that are not even in the mountains. The characters that identify the song (sound)/In the world, Fujiwara Toshinari (Emperor Dowager Otoshinari) Hishikawa Moro no Mission [etc.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (83) Poet/Fujiwara Toshinari (… <Previous poem> After all, the long haul, it's again these days, the lower haul, the world of sadness, I'm now in love with you, but now in the middle of this life, I'm in love with you, but now in the middle of this life, the old haul is again, the regular character (definite character): character (sound) that identifies the song/White Fujiwara Seisuke (Fujiwara Seisuke Asami) Hishikawa Moro no Mishu [etc.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (84) Poet/Fujiwara Seisuke (… <Previous poem> Even at night, I'm thinking about things, open, <Previous poem> To the end of the night, I'm thinking about things, open, I'm taking the time to go to the end of the night, I'm taking the time to go to the end of the night, I'm taking the time to go to the end of the night, I'm taking the time to go to the end of the night, I'm taking the time to go to the end of the night, I'm taking the time to go to the end of the night, I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go to the end of the night, and I'm taking the time to go Ogura Hyakunin Isshu (85) Poet/Toshie (Toshie... <Upper verse> Lament, the moon, I think of something <Lower verse> Here comes my tears, I wonder Nageke tote tsuki ya wa mono o mo omo ha suru Kakochi ga ho naru waga nami na ka Fixed characters (fixed characters): Characters (sounds) that specify a poem / Nageke Saigyo (Saigyo Hoshi) Hishikawa Moronobu illustration [and others] Ogura Hyakunin Isshu 1680 (Enpo 8) National Diet Library possession Ogura Hyakunin Isshu (86) Poet/Saigyo (Saigyo… <Previous poem> Murasame's dew is still on the cypress leaves <Previous poem> The mist rises autumn dusk The Murasame's soup is still still on the hinumaki no hani The Kiritata's Yufugure Pre-Mari characters (demarri characters): Characters that identify the song (sound)/Mujakuren (Jarren Hoshi) Hishikawa Moro no Mission [etc.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (87) Poet/Jakuren (Jakuren... <Previous poem> The Reed Karin's Reed Karin's Mystery (Left poem) <Previous poem> The Reed Karin's Mystery (Standard character): Characters that identify the song (sound)/Nani-E Kokamonin Bettohishikawa Proclamation [etc.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (88) Poet/Koukamonin-in... <Above poem> The king of the king, if it is dead, it will die, if it is long, the king, if it is dead, the king, if it is weak, if it is still dead, if it is still weak, if it is still dead, if it is still dead, if it is still dead, if it is still dead, if it is still dead, if it is still dead, if it is still dead, if it is still dead, if it is not true, it is not true that it is not true, if it is not true, it is not true that it is not true, but it is not known as the king, if it is not known as the king, if it is not known as the king, if it is not known as the king, if it is not known as the king, then it is not known as the king, if it is not known as the king, if it is not known as the king, it is not known as the king, but is not known as the king, and if it is not known as the king, it is not known as the king, and if it is not known as the king, it is not known as the king, and if it is not known as the king, it is not known as the king, and if it is not known as the king, it is not known as the king, and if it is not known as the king, it is not known as the king, and if it is not known as the king, it is not known as the king, and if it is not known as the king, it is not known as the king, and if it is not known as the king, it is not known as the king, and if it is not known as the king, it is not known as the king, and if it is not known as the king, it is not known as the king, and if it is not known as the king, it is not known as the king, and if it is not known as the king, it is not known as the king, and if it is not known as the king, it is not known as the king, and if it is not known as the king, it is not 小倉百人一首(89) 歌人／式子内親王 <Previous poem> Show me the sleeves of the seamen of Oshima, <Previous poem> Wet from the wet, the color does not change, the color does not change, the wet, the wet, the wet, the wet, the wet, the wet, the wet, the wet, the roha-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka- ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka- ka -ka-ka-ka-ka-ka- Ogura Hyakunin Isshu (90) Poet/Intumonin University... <Previous poem> It's a squeal or frost night, rather than the squeal <Previous poem> One piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing , one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing, one piece of clothing Ogura Hyakunin Isshu (91) Poet/Kujo Yoshitsune (… <Above poem> My sleeve is not visible as a tidal dim, the stone of the ocean <Above poem> The person knows, the riddles that dry out, the old ones who do not appear to be in my mind, the regular character (decency character): character (sound) that identifies the song/My So Sanuki (Nijoin Sanuki, Nijoin Sanuki) Hishikawa Moro no Mission [etc.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (92) Poet/Sanuki (Nijo... <Previous poem> The world is always struggling, rowing on the beach <Previous poem> Tsunade Kanashimo in the small boat of the sea, always struggling, and always struggling, Kanashimo (devious poem): Characters that identify the song (sound)/Yono-naka Minatomo (Minister of Kamakura Right), Hishikawa Moro no Mission [etc.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (93) Poet/Minimitomo (Sickle... <Previous poem> Miyoshino's autumn breeze in the mountains, thrusts in the night <Previous poem> My hometown is cold, I'm depressed, I'm in the autumn of the mountains, I'm in the middle of the house, I'm in the middle of the house, I'm in the middle of the house, I'm in the middle of the house, I'm in the middle of the house, I'm in the middle of the house, I'm in the middle of the house, I'm in the middle of the house, I'm in the middle of the house, I'm in the middle of the house, I'm in the middle of the house, and I'm in the middle of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of Ogura Hyakunin Isshu (94) Poet/Fujiwara Masatsune (… <Previous poem> No squeals> No squeals of the people of the world; <Previous poem> No squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of the wool, no squeals of Ogura Hyakunin Isshu (95) Poet/Jien (Maedai... <Previous poem> Invite flowers, only in the snow in the garden of a storm, <Previous poem> Those who pretend to be me are dressed in my own style, and those who pretend to be me are the ones I will be dressed in. Those who pretend to be me are the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be the ones I will be . Ogura Hyakunin Isshu (96) Poet/Nirudo no Daimasa... <Previous poem> The never-come person is in the evening at Matsuhonoura <Previous poem> Burning and salt in the seaweed, while the person is in the yufunagi, and the yakuyamoshihomi is in the yufunagi, and the yakuyamoshihomi is in the yufunagi, and the fixed mari character (demarri character): character (sound) that identifies the song/Konu Fujiwara Teika (Gonchuu-no-go Teika) Hishikawa Moro Sensho [et al.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (97) Poet/Fujiwara Teika (… <Previous poem> The breeze breeze The breeze breeze The breeze breeze the breeze of summer The breeze can be used as a sign of a cold wave The breeze can be used as a sign of a misogirimono The breeze can be used as a sign of a misogirimono The breeze can be used as a sign of a misogirimono: Characters (sounds) that identify the song/Kaze Fujiwara Ietaka (June 2nd Ietaka, Shosan Ietaka) Hishikawa Moro no Miso [etc.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (98) Poet/Fujiwara Ietaka (… <Upper verse> I hate people, I hate people, it's so unpleasant <Lower verse> Because I think of the world, I am a thinking person, I hate people, it's so unpleasant Because I think of the world, I hate people, it's so unpleasant Ogura Hyakunin Isshu (99) Poet/Emperor Gotoba… <Previous poem> Momoshiki, or the old eaves, or the "Lower poem>" is often called, or the old one is like, or the old one is like, or the old one is like, or the old one is like, or the old one is like, or the old one is like, or the old one is like, or the old one is like, or the old one is like, or the old one is called, or the original character (decimal character): character (sound) that identifies a song/Emperor Momo Juntoku (Juntokuin) Hishikawa Momo no Isshu [etc.] "Ogura Hyakunin Isshu" 1680 (Enpo 8) Collection of the National Diet Library "> Ogura Hyakunin Isshu (100) Poet/Emperor Juntoku... Hyakunin IsshuThe selection of great poems selected by Fujiwara Teika from the collection of imperially compiled waka poets, from the Kokinshu to the Shin-Emperor Commission. The poems are selected from 100 poets, and are arranged in almost chronological order. The contents are mostly love poets, with many intelligent and technical songs that use kaken and affinity words, reflecting the tastes of Teika in his later years. It was viewed as a sacred scripture in the altar from the Middle Ages and many commentary books were created. It also became a "song karuta" during the Edo period, and became widely popular among the common people. (From the Japanese Useful Dictionary (Shogakukan)) [Reference Item] |Source: Shogakukan Encyclopedia Nipponica About Encyclopedia Nipponica Information | Legend |
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歌仙(かせん)秀歌撰(せん)の一形態で、優れた歌人（歌仙）100人をあげて、1人につき1首ずつ、あわせて100首の優れた歌（秀歌）を選び出したもの。通常は『小倉(おぐら)百人一首』をさすが、広くはそれに倣った同形態の「異種百人一首」「変り百人一首」とよばれるものをもさしていう。 ［小町谷照彦］ 小倉百人一首『小倉百人一首』は、三十六歌仙を選んだ藤原公任(きんとう)の『三十六人撰』や、100人の歌人の秀歌を歌合(うたあわせ)形式で並べた後鳥羽(ごとば)院の『時代不同歌合』などを継承しながら、藤原定家(ていか)が100人の歌人の秀歌を一首ずつ選び出したものである。定家の日記『明月記(めいげつき)』の文暦(ぶんりゃく)2年（1235）5月27日条に、定家がその子為家(ためいえ)の舅(しゅうと)の宇都宮頼綱(うつのみやよりつな)（蓮生(れんしょう)）から依頼されて、その嵯峨中院(さがちゅういん)山荘の障子に貼(は)るために、天智(てんじ)天皇から藤原家隆(いえたか)、藤原（飛鳥井(あすかい)）雅経(まさつね)に至る歌人の歌を色紙に書いて贈った、とある記事が『小倉百人一首』の成立に関連深いものとされ、それが『小倉百人一首』そのものの成立を示すという説と、その草稿本といわれる『百人秀歌』（『小倉百人一首』と97首が一致。後鳥羽院と順徳(じゅんとく)院の歌は含まない）をさすという説とがある。『小倉百人一首』が「小倉山荘色紙和歌」ともよばれるのは、定家が頼綱のために執筆してからのちに、その嵯峨小倉山荘用として自ら執筆したからだ、ともいわれる。また、最後の二首、後鳥羽院と順徳院の歌は為家がのちに補訂したものという説もある。『小倉百人一首』は、平安時代の歌人を中心に、奈良時代から鎌倉時代初期に至る歌人の秀歌を集めたもので、勅撰集でいうと『古今(こきん)集』から『続後撰(しょくごせん)集』までの歌が収められている。歌の内容としては、恋歌が43首で圧倒的に多く、四季歌は32首で、そのなかでは秋が16首でもっとも多く、雑歌(ぞうか)も20首（雑秋(ぞうあき)一首を含む）でかなり多い。艶麗(えんれい)な歌、情趣的な歌、人間劇的な歌などが選ばれている。作者は、男性79人（僧侶(そうりょ)13人を含む）、女性21人で、女流文学全盛時代を反映している面もある。ほぼ時代順に配列された秀歌は、王朝和歌史の精髄をみる感があり、日本人の自然や季節に対する感覚や美意識の原型、繊細で巧緻(こうち)な表現技巧や言語感覚などが随所にみいだされる。『小倉百人一首』は古典文学の代表的作品として広く享受され、まず二条(にじょう)家の和歌の秘伝として伝授され、『応永(おうえい)抄』『宗祇(そうぎ)抄』など数多くの注釈書が著され、近世に入っても、北村季吟(きぎん)の『百人一首拾穂(しゅうすい)抄』、契沖(けいちゅう)の『百人一首改観(かいかん)抄』、賀茂真淵(まぶち)の『宇比麻奈備(ういまなび)』、香川景樹(かげき)の『百首異見(いけん)』など本格的な注釈書が数多く記された。さらに、江戸時代中期ころから、とくに女子の古典入門書として普及し、「源氏物語巻々の歌（源氏香の図）」「三十六歌仙」などとともに、図入りの注釈を付し、女訓書・実用書的なものと合綴(がってつ)された大部なものなどが刊行された。一方、当時流行した遊戯具としてのかるたや絵双六(すごろく)の製作のなかで、「小倉百人一首かるた」もつくられた。また、「異種百人一首」も数多く、足利義尚(あしかがよしひさ)の『新百人一首』、二条良基(よしもと)に仮託した『後撰(ごせん)百人一首』、榊原忠次(さかきばらただつぐ)の『武家百人一首』『女房百人一首』、黒沢翁満(おきなまろ)の『源氏百人一首』、大森盛顕(もりあき)の『古今集百人一首（古今和歌集一首撰）』、近代に入っても『大全(たいぜん)明治新百人一首』『愛国百人一首』などがあった。パロディーの類も多く、幽双庵(ゆうそうあん)の『犬百人一首』、大田南畝(なんぽ)の『狂歌百人一首』などがあった。今日では『小倉百人一首』は、古典教材のほかに、家庭遊戯のかるたとして普及し、散らし取り、源平合戦、坊主めくりなどの遊び方があり、また、競技かるたとして広く行われている。 ［小町谷照彦］ 『島津忠夫訳注『百人一首』（角川文庫）』▽『大岡信訳注『百人一首』（講談社文庫）』▽『樋口芳麻呂校注『王朝秀歌選』（岩波文庫）』▽『有吉保訳注『百人一首』（講談社学術文庫）』 [参照項目] | [補完資料] |〈上の句〉秋の田の 仮庵の庵の 苫を粗み 〈下の句〉我が衣手は 露にぬれつつ あきのたのかりほのいほのとまをあらみ わがころもではつゆにぬれつつ定まり字（決まり字）：歌を特定する字（音）／あきの天智天皇菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(1) 歌人／天智天皇 〈上の句〉春過ぎて 夏来にけらし 白妙の 〈下の句〉衣干すてふ 天の香具山 はるすぎてなつきにけらししろたへの ころもほすてふあまのかぐやま定まり字（決まり字）：歌を特定する字（音）／はるす持統天皇菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(2) 歌人／持統天皇 〈上の句〉あしひきの 山鳥の尾の しだり尾の 〈下の句〉長長し夜を ひとりかも寝む あしひきのやまどりのをのしだりをの ながながしよをひとりかもねむ定まり字（決まり字）：歌を特定する字（音）／あし柿本人麻呂（柿本人丸）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(3) 歌人／柿本人麻呂（… 〈上の句〉田子の浦に うち出でて見れば 白妙の 〈下の句〉富士の高嶺に 雪は降りつつ たごのうらにうちいでてみればしろたへの ふじのたかねにゆきはふりつつ定まり字（決まり字）：歌を特定する字（音）／たご山部赤人（山邊赤人）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(4) 歌人／山部赤人（山… 〈上の句〉奥山に 紅葉踏み分け 鳴く鹿の 〈下の句〉声聞く時ぞ 秋はかなしき おくやまにもみぢふみわけなくしかの こゑきくときぞあきはかなしき定まり字（決まり字）：歌を特定する字（音）／おく猿丸太夫（猿丸大夫）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(5) 歌人／猿丸太夫（猿… 〈上の句〉鵲の 渡せる橋に 置く霜の 〈下の句〉白きを見れば 夜ぞ更けにける かささぎのわたせるはしにおくしもの しろきをみればよぞふけにける定まり字（決まり字）：歌を特定する字（音）／かさ大伴家持（中納言家持）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(6) 歌人／大伴家持（中… 〈上の句〉天の原 ふりさけみれば 春日なる 〈下の句〉三笠の山に 出でし月かも あまのはらふりさけみればかすがなる みかさのやまにいでしつきかも定まり字（決まり字）：歌を特定する字（音）／あまの阿倍仲麻呂（安部仲麻呂・安部仲麿）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(7) 歌人／阿倍仲麻呂（… 〈上の句〉わが庵は 都の辰巳 しかぞ住む 〈下の句〉世をうぢ山と 人はいふなり わがいほはみやこのたつみしかぞすむ よをうぢやまとひとはいふなり定まり字（決まり字）：歌を特定する字（音）／わがい喜撰（喜撰法師）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(8) 歌人／喜撰（喜撰法… 〈上の句〉花の色は うつりにけりな いたづらに 〈下の句〉我身よにふる ながめせしまに はなのいろはうつりにけりないたづらに わがみよにふるながめせしまに定まり字（決まり字）：歌を特定する字（音）／はなの小野小町菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(9) 歌人／小野小町 〈上の句〉これやこの 行くも帰るも 別れては 〈下の句〉知るも知らぬも 逢坂の関 これやこのゆくもかへるもわかれては しるもしらぬもあふさかのせき定まり字（決まり字）：歌を特定する字（音）／これ蝉丸菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(10) 歌人／蝉丸 〈上の句〉わたの原 八十島かけて 漕ぎ出でぬと 〈下の句〉人には告げよ あまの釣舟 わたのはらやそしまかけてこぎいでぬと ひとにはつげよあまのつりぶね定まり字（決まり字）：歌を特定する字（音）／わたのはらや小野篁（参議篁）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(11) 歌人／小野篁（参… 〈上の句〉あまつ風 くもの通ひ路 吹きとぢよ 〈下の句〉少女の姿 しばしとどめむ あまつかぜくものかよひぢふきとぢよ をとめのすがたしばしとどめむ定まり字（決まり字）：歌を特定する字（音）／あまつ遍昭（僧正遍昭）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(12) 歌人／遍昭（僧正… 〈上の句〉筑波嶺の 峰より落つる みなの川 〈下の句〉恋ぞ積もりて 淵となりぬる つくばねのみねよりおつるみなのがは こひぞつもりてふちとなりぬる定まり字（決まり字）：歌を特定する字（音）／つく陽成天皇（陽成院）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(13) 歌人／陽成天皇（… 〈上の句〉陸奥の しのぶもぢずり 誰ゆゑに 〈下の句〉乱れそめにし 我ならなくに みちのくのしのぶもぢずりたれゆゑに みだれそめにしわれならなくに定まり字（決まり字）：歌を特定する字（音）／みち源融（河原左大臣）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(14) 歌人／源融（河原… 〈上の句〉君がため 春の野に出でて 若菜摘む 〈下の句〉我が衣手に 雪は降りつつ きみがためはるののにいでてわかなつむ わがころもでにゆきはふりつつ定まり字（決まり字）：歌を特定する字（音）／きみがためは光孝天皇菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(15) 歌人／光孝天皇 〈上の句〉立ち別れ いなばの山の 峰に生ふる 〈下の句〉松とし聞かば 今帰り来む たちわかれいなばのやまのみねにおふる まつとしきかばいまかへりこむ定まり字（決まり字）：歌を特定する字（音）／たち在原行平（中納言行平）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(16) 歌人／在原行平（… 〈上の句〉ちはやぶる 神代も聞かず 竜田川 〈下の句〉韓紅に 水くくるとは ちはやぶるかみよもきかずたつたがは からくれなゐにみづくくるとは定まり字（決まり字）：歌を特定する字（音）／ちは在原業平（在原業平朝臣）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(17) 歌人／在原業平（… 〈上の句〉住の江の 岸に寄る波 夜さへや 〈下の句〉夢の通ひ路 人目よくらむ すみのえのきしによるなみよるさへや ゆめのかよひぢひとめよくらむ定まり字（決まり字）：歌を特定する字（音）／す藤原敏行（藤原敏行朝臣）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(18) 歌人／藤原敏行（… 〈上の句〉難波潟 短き芦の ふしの間も 〈下の句〉逢はでこの世を 過ぐしてよとや なにはがたみじかきあしのふしのまも あはでこのよをすぐしてよとや定まり字（決まり字）：歌を特定する字（音）／なにわが伊勢菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(19) 歌人／伊勢 〈上の句〉わびぬれば 今はた同じ 難波なる 〈下の句〉みをつくしても あはむとぞ思ふ わびぬればいまはたおなじなにはなる みをつくしてもあはむとぞおもふ定まり字（決まり字）：歌を特定する字（音）／わび元良親王菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(20) 歌人／元良親王 〈上の句〉いまこむと いひしばかりに 長月の 〈下の句〉有明の月を 待ちいでつるかな いまこむといひしばかりにながつきの ありあけのつきをまちいでつるかな定まり字（決まり字）：歌を特定する字（音）／いまこ素性（素性法師）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(21) 歌人／素性（素性… 〈上の句〉吹くからに 秋の草木の しをるれば 〈下の句〉むべ山風を あらしといふらむ ふくからにあきのくさきのしをるれば むべやまかぜをあらしといふらむ定まり字（決まり字）：歌を特定する字（音）／ふ文屋康秀菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(22) 歌人／文屋康秀 〈上の句〉月見れば ちぢに物こそ かなしけれ 〈下の句〉わが身ひとつの 秋にはあらねど つきみればちぢにものこそかなしけれ わがみひとつのあきにはあらねど定まり字（決まり字）：歌を特定する字（音）／つき大江千里菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(23) 歌人／大江千里 〈上の句〉このたびは 幣も取りあへず 手向山 〈下の句〉紅葉の錦 神のまにまに このたびはぬさもとりあへずたむけやま もみぢのにしきかみのまにまに定まり字（決まり字）：歌を特定する字（音）／この菅原道真（菅家）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(24) 歌人／菅原道真（… 〈上の句〉名にし負はば 逢坂山の さねかづら 〈下の句〉人に知られで くる由もがな なにしおはばあふさかやまのさねかづら ひとにしられでくるよしもがな定まり字（決まり字）：歌を特定する字（音）／なにし三条右大臣（三條右大臣）（藤原定方）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(25) 歌人／三条右大臣… 〈上の句〉小倉山 峰のもみぢ葉 心あらば 〈下の句〉今ひとたびの 行幸待たなむ をぐらやまみねのもみぢばこころあらば いまひとたびのみゆきまたなむ定まり字（決まり字）：歌を特定する字（音）／をぐ藤原忠平（貞信公）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(26) 歌人／藤原忠平（… 〈上の句〉みかの原 わきて流るる 泉川 〈下の句〉いつ見きとてか 恋しかるらむ みかのはらわきてながるるいづみがは いつみきとてかこひしかるらむ定まり字（決まり字）：歌を特定する字（音）／みかの藤原兼輔（中納言兼輔）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(27) 歌人／藤原兼輔（… 〈上の句〉山里は 冬ぞさびしさ まさりける 〈下の句〉人目も草も かれぬと思へば やまざとはふゆぞさびしさまさりける ひとめもくさもかれぬとおもへば定まり字（決まり字）：歌を特定する字（音）／やまざ源宗于朝臣菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(28) 歌人／源宗于朝臣 〈上の句〉心あてに 折らばや折らむ 初霜の 〈下の句〉置きまどはせる 白菊の花 こころあてにをらばやをらむはつしもの おきまどはせるしらぎくのはな定まり字（決まり字）：歌を特定する字（音）／こころあ凡河内躬恒菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(29) 歌人／凡河内躬恒 〈上の句〉有明けの つれなく見えし 別れより 〈下の句〉暁ばかり 憂きものはなし ありあけのつれなくみえしわかれより あかつきばかりうきものはなし定まり字（決まり字）：歌を特定する字（音）／ありあ壬生忠岑菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(30) 歌人／壬生忠岑 〈上の句〉朝ぼらけ 有明の月とみるまでに 〈下の句〉吉野の里に ふれる白雪 あさぼらけありあけのつきとみるまでに よしののさとにふれるしらゆき定まり字（決まり字）：歌を特定する字（音）／あさぼらけあ坂上是則菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(31) 歌人／坂上是則 〈上の句〉山川に 風のかけたる しがらみは 〈下の句〉流れもあへぬ 紅葉なりけり やまがはにかぜのかけたるしがらみは ながれもあへぬもみぢなりけり定まり字（決まり字）：歌を特定する字（音）／やまが春道列樹菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(32) 歌人／春道列樹 〈上の句〉ひさかたの 光のどけき 春の日に 〈下の句〉静心なく 花の散るらむ ひさかたのひかりのどけきはるのひに しづこころなくはなのちるらむ定まり字（決まり字）：歌を特定する字（音）／ひさ紀友則菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(33) 歌人／紀友則 〈上の句〉誰をかも 知る人にせむ 高砂の 〈下の句〉松も昔の 友ならなくに たれをかもしるひとにせむたかさごの まつもむかしのともならなくに定まり字（決まり字）：歌を特定する字（音）／たれ藤原興風菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(34) 歌人／藤原興風 〈上の句〉人はいさ 心も知らず ふるさとは 〈下の句〉花ぞ昔の 香に匂ひける ひとはいさこころもしらずふるさとは はなぞむかしのかににほひける定まり字（決まり字）：歌を特定する字（音）／ひとは紀貫之菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(35) 歌人／紀貫之 〈上の句〉夏の夜は まだ宵ながら 明けぬるを 〈下の句〉雲のいづこに 月やどるらむ なつのよはまだよひながらあけぬるを くものいづこにつきやどるらむ定まり字（決まり字）：歌を特定する字（音）／なつ清原深養父菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(36) 歌人／清原深養父 〈上の句〉白露に 風の吹きしく 秋の野は 〈下の句〉つらぬきとめぬ 玉ぞ散りける しらつゆにかぜのふきしくあきののは つらぬきとめぬたまぞちりける定まり字（決まり字）：歌を特定する字（音）／しら文屋朝康菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(37) 歌人／文屋朝康 〈上の句〉忘らるる 身をば思はず ちかひてし 〈下の句〉人の命の 惜しくもあるかな わすらるるみをばおもはずちかひてし ひとのいのちのをしくもあるかな定まり字（決まり字）：歌を特定する字（音）／わすら右近菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(38) 歌人／右近 〈上の句〉浅茅生の 小野の篠原 しのぶれど 〈下の句〉余りてなどか 人の恋しき あさぢふのをののしのはらしのぶれど あまりてなどかひとのこひしき定まり字（決まり字）：歌を特定する字（音）／あさぢ参議等（源等）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(39) 歌人／参議等（源… 〈上の句〉忍ぶれど 色に出でにけり 我が恋は 〈下の句〉ものや思ふと 人の問ふまで しのぶれどいろにいでにけりわがこひは ものやおもふとひとのとふまで定まり字（決まり字）：歌を特定する字（音）／しの平兼盛菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(40) 歌人／平兼盛 〈上の句〉恋すてふ 我が名はまだき 立ちにけり 〈下の句〉人知れずこそ 思ひそめしか こひすてふわがなはまだきたちにけり ひとしれずこそおもひそめしか定まり字（決まり字）：歌を特定する字（音）／こひ壬生忠見菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(41) 歌人／壬生忠見 〈上の句〉契りきな かたみに袖を しぼりつつ 〈下の句〉末の松山 波越さじとは ちぎりきなかたみにそでをしぼりつつ すゑのまつやまなみこさじとは定まり字（決まり字）：歌を特定する字（音）／ちぎりき清原元輔菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(42) 歌人／清原元輔 〈上の句〉あひ見ての のちの心に 比ぶれば 〈下の句〉昔は物を 思はざりけり あひみてののちのこころにくらぶれば むかしはものをおもはざりけり定まり字（決まり字）：歌を特定する字（音）／あひ権中納言敦忠（中納言敦忠・藤原敦忠）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(43) 歌人／権中納言敦… 〈上の句〉逢ふことの 絶えてしなくは なかなかに 〈下の句〉人をも身をも 恨みざらまし あふことのたえてしなくはなかなかに ひとをもみをもうらみざらまし定まり字（決まり字）：歌を特定する字（音）／あふこ中納言朝忠（藤原朝忠）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(44) 歌人／中納言朝忠… 〈上の句〉あはれとも 言ふべき人は 思ほえで 〈下の句〉身のいたづらに なりぬべきかな あはれともいふべきひとはおもほえで みのいたづらになりぬべきかな定まり字（決まり字）：歌を特定する字（音）／あはれ藤原伊尹（謙徳公）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(45) 歌人／藤原伊尹（… 〈上の句〉由良のとを 渡る舟人 かぢを絶え 〈下の句〉ゆくへも知らぬ 恋のみちかな ゆらのとをわたるふなびとかぢをたえ ゆくへもしらぬこひのみちかな定まり字（決まり字）：歌を特定する字（音）／ゆら曽禰好忠菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(46) 歌人／曽禰好忠 〈上の句〉八重葎 茂れる宿の さびしきに 〈下の句〉人こそ見えね 秋は来にけり やへむぐらしげれるやどのさびしきに ひとこそみえねあきはきにけり定まり字（決まり字）：歌を特定する字（音）／やへ恵慶法師菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(47) 歌人／恵慶法師 〈上の句〉風をいたみ 岩うつ波の おのれのみ 〈下の句〉くだけて物を 思ふ頃かな かぜをいたみいはうつなみのおのれのみ くだけてものをおもふころかな定まり字（決まり字）：歌を特定する字（音）／かぜを源重之菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(48) 歌人／源重之 〈上の句〉御垣守 衛士のたく火の 夜は燃え 〈下の句〉昼は消えつつ ものをこそ思へ みかきもりゑじのたくひのよるはもえ ひるはきえつつものをこそおもへ定まり字（決まり字）：歌を特定する字（音）／みかき大中臣能宣（大中臣能宣朝臣）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(49) 歌人／大中臣能宣… 〈上の句〉君がため 惜しからざりし 命さへ 〈下の句〉長くもがなと 思ひけるかな きみがためをしからざりしいのちさへ ながくもがなとおもひけるかな定まり字（決まり字）：歌を特定する字（音）／きみがためを藤原義孝菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(50) 歌人／藤原義孝 〈上の句〉かくとだに えやはいぶきの さしも草 〈下の句〉さしも知らじな 燃ゆる思ひを かくとだにえやはいぶきのさしもぐさ さしもしらじなもゆるおもひを定まり字（決まり字）：歌を特定する字（音）／かく藤原実方（藤原実方朝臣）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(51) 歌人／藤原実方（… 〈上の句〉明けぬれば 暮るるものとは 知りながら 〈下の句〉なほ恨めしき 朝ぼらけかな あけぬればくるるものとはしりながら なほうらめしきあさぼらけかな定まり字（決まり字）：歌を特定する字（音）／あけ藤原道信朝臣菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(52) 歌人／藤原道信朝… 〈上の句〉嘆きつつ ひとり寝る夜の 明くる間は 〈下の句〉いかに久しき ものとかは知る なげきつつひとりぬるよのあくるまは いかにひさしきものとかはしる定まり字（決まり字）：歌を特定する字（音）／なげき藤原道綱母（右大将道綱母）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(53) 歌人／藤原道綱母… 〈上の句〉忘れじの 行く末までは 難ければ 〈下の句〉今日を限りの 命ともがな わすれじのゆくすゑまではかたければ けふをかぎりのいのちともがな定まり字（決まり字）：歌を特定する字（音）／わすれ儀同三司母菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(54) 歌人／儀同三司母 〈上の句〉滝の音は 絶えて久しく なりぬれど 〈下の句〉名こそ流れて なほ聞こえけれ たきのおとはたえてひさしくなりぬれど なこそながれてなほきこえけれ定まり字（決まり字）：歌を特定する字（音）／たき藤原公任（大納言公任）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(55) 歌人／藤原公任（… 〈上の句〉あらざらむ この世のほかの 思ひ出に 〈下の句〉いまひとたびの 逢ふこともがな あらざらむこのよのほかのおもひでに いまひとたびのあふこともがな定まり字（決まり字）：歌を特定する字（音）／あらざ和泉式部菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(56) 歌人／和泉式部 〈上の句〉めぐり逢ひて 見しやそれとも 分かぬ間に 〈下の句〉雲隠れにし 夜半の月かな めぐりあひてみしやそれともわかぬまに くもがくれにしよはのつきかな定まり字（決まり字）：歌を特定する字（音）／め紫式部菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(57) 歌人／紫式部 〈上の句〉有馬山 猪名の笹原 風吹けば 〈下の句〉いでそよ人を 忘れやはする ありまやまゐなのささはらかぜふけば いでそよひとをわすれやはする定まり字（決まり字）：歌を特定する字（音）／ありま大弐三位菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(58) 歌人／大弐三位 〈上の句〉やすらはで 寝なましものを 小夜ふけて 〈下の句〉かたぶくまでの 月を見しかな やすらはでねなましものをさよふけて かたぶくまでのつきをみしかな定まり字（決まり字）：歌を特定する字（音）／やす赤染衛門菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(59) 歌人／赤染衛門 〈上の句〉大江山 いく野の道の 遠ければ 〈下の句〉まだふみも見ず 天の橋立 おほえやまいくののみちのとほければ まだふみもみずあまのはしだて定まり字（決まり字）：歌を特定する字（音）／おほえ小式部内侍菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(60) 歌人／小式部内侍 〈上の句〉いにしへの 奈良の都の 八重桜 〈下の句〉けふ九重に 匂ひぬるかな いにしへのならのみやこのやへざくら けふここのへににほひぬるかな定まり字（決まり字）：歌を特定する字（音）／いに伊勢大輔菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(61) 歌人／伊勢大輔 〈上の句〉夜を籠めて 鳥の空音は 謀るとも 〈下の句〉よに逢坂の 関は許さじ よをこめてとりのそらねははかるとも よにあふさかのせきはゆるさじ定まり字（決まり字）：歌を特定する字（音）／よを清少納言菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(62) 歌人／清少納言 〈上の句〉今はただ 思ひ絶えなむ とばかりを 〈下の句〉人伝てならで 言ふよしもがな いまはただおもひたえなむとばかりを ひとづてならでいふよしもがな定まり字（決まり字）：歌を特定する字（音）／いまは左京大夫道雅（藤原道雅）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(63) 歌人／左京大夫道… 〈上の句〉朝ぼらけ 宇治の川霧 絶え絶えに 〈下の句〉あらはれわたる 瀬々の網代木 あさぼらけうぢのかはぎりたえだえに あらはれわたるせぜのあじろぎ定まり字（決まり字）：歌を特定する字（音）／あさぼらけう権中納言定頼（藤原定頼）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(64) 歌人／権中納言定… 〈上の句〉恨みわび ほさぬ袖だに あるものを 〈下の句〉恋に朽ちなむ 名こそ惜しけれ うらみわびほさぬそでだにあるものを こひにくちなむなこそをしけれ定まり字（決まり字）：歌を特定する字（音）／うら相模菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(65) 歌人／相模 〈上の句〉もろともに あはれと思へ 山桜 〈下の句〉花よりほかに 知る人もなし もろともにあはれとおもへやまざくら はなよりほかにしるひともなし定まり字（決まり字）：歌を特定する字（音）／もろ行尊（前大僧正行尊）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(66) 歌人／行尊（前大… 〈上の句〉春の夜の 夢ばかりなる 手枕に 〈下の句〉かひなく立たむ 名こそ惜しけれ はるのよのゆめばかりなるたまくらに かひなくたたむなこそをしけれ定まり字（決まり字）：歌を特定する字（音）／はるの周防内侍菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(67) 歌人／周防内侍 〈上の句〉心にも あらで憂き世に 長らへば 〈下の句〉恋しかるべき 夜半の月かな こころにもあらでうきよにながらへば こひしかるべきよはのつきかな定まり字（決まり字）：歌を特定する字（音）／こころに三条天皇（三条院・三條院）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(68) 歌人／三条天皇（… 〈上の句〉嵐吹く 三室の山の もみぢ葉は 〈下の句〉竜田の川の 錦なりけり あらしふくみむろのやまのもみぢばは たつたのかはのにしきなりけり定まり字（決まり字）：歌を特定する字（音）／あらし能因（能因法師）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(69) 歌人／能因（能因… 〈上の句〉さびしさに 宿を立ち出でて ながむれば 〈下の句〉いづくも同じ 秋の夕暮れ さびしさにやどをたちいでてながむれば いづくもおなじあきのゆふぐれ定まり字（決まり字）：歌を特定する字（音）／さ良暹法師菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(70) 歌人／良暹法師 〈上の句〉夕されば 門田の稲葉 おとづれて 〈下の句〉葦の丸屋に 秋風ぞ吹く ゆふさればかどたのいなばおとづれて あしのまろやにあきかぜぞふく定まり字（決まり字）：歌を特定する字（音）／ゆふ源経信（大納言経信）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(71) 歌人／源経信（大… 〈上の句〉音に聞く 高師の浜の あだ波は 〈下の句〉かけじや袖の 濡れもこそすれ おとにきくたかしのはまのあだなみは かけじやそでのぬれもこそすれ定まり字（決まり字）：歌を特定する字（音）／おと祐子内親王家紀伊菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(72) 歌人／祐子内親王… 〈上の句〉高砂の 尾の上の桜 咲きにけり 〈下の句〉外山のかすみ 立たずもあらなむ たかさごのをのへのさくらさきにけり とやまのかすみたたずもあらなむ定まり字（決まり字）：歌を特定する字（音）／たか大江匡房（前権中納言匡房・前中納言匡房）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(73) 歌人／大江匡房（… 〈上の句〉うかりける 人を初瀬の 山おろし 〈下の句〉はげしかれとは 祈らぬものを うかりけるひとをはつせのやまおろし はげしかれとはいのらぬものを定まり字（決まり字）：歌を特定する字（音）／うか源俊頼（源俊頼朝臣）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(74) 歌人／源俊頼（源… 〈上の句〉契りおきし させもが露を 命にて 〈下の句〉あはれ今年の 秋も去ぬめり ちぎりおきしさせもがつゆをいのちにて あはれことしのあきもいぬめり定まり字（決まり字）：歌を特定する字（音）／ちぎりお藤原基俊菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(75) 歌人／藤原基俊 〈上の句〉わたの原 漕ぎ出でて見れば ひさかたの 〈下の句〉雲居にまがふ 沖つ白波 わたのはらこぎいでてみればひさかたの くもゐにまがふおきつしらなみ定まり字（決まり字）：歌を特定する字（音）／わたのはらこ藤原忠通（法性寺入道前関白太政大臣）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(76) 歌人／藤原忠通（… 〈上の句〉瀬を早み 岩にせかるる 滝川の 〈下の句〉われても末に 逢はむとぞ思ふ せをはやみいはにせかるるたきがはの われてもすゑにあはむとぞおもふ定まり字（決まり字）：歌を特定する字（音）／せ崇徳天皇（崇徳院）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(77) 歌人／崇徳天皇（… 〈上の句〉淡路島 かよふ千鳥の 鳴く声に 〈下の句〉いく夜寝覚めぬ 須磨の関守 あはぢしまかよふちどりのなくこゑに いくよねざめぬすまのせきもり定まり字（決まり字）：歌を特定する字（音）／あはぢ源兼昌菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(78) 歌人／源兼昌 〈上の句〉秋風に たなびく雲の たえまより 〈下の句〉もれいづる月の 影のさやけさ あきかぜにたなびくくものたえまより もれいづるつきのかげのさやけさ定まり字（決まり字）：歌を特定する字（音）／あきか藤原顕輔（左京大夫顕輔）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(79) 歌人／藤原顕輔（… 〈上の句〉長からむ 心も知らず 黒髪の 〈下の句〉乱れて今朝は ものをこそ思へ ながからむこころもしらずくろかみの みだれてけさはものをこそおもへ定まり字（決まり字）：歌を特定する字（音）／ながか待賢門院堀河菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(80) 歌人／待賢門院堀… 〈上の句〉ほととぎす 鳴きつる方を ながむれば 〈下の句〉ただ有明の 月ぞ残れる ほととぎすなきつるかたをながむれば ただありあけのつきぞのこれる定まり字（決まり字）：歌を特定する字（音）／ほ藤原実定（後徳大寺左大臣）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(81) 歌人／藤原実定（… 〈上の句〉思ひわび さても命は あるものを 〈下の句〉憂きに堪へぬは 涙なりけり おもひわびさてもいのちはあるものを うきにたへぬはなみだなりけり定まり字（決まり字）：歌を特定する字（音）／おも道因法師菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(82) 歌人／道因法師 〈上の句〉世の中よ 道こそなけれ 思ひ入る 〈下の句〉山の奥にも 鹿ぞ鳴くなる よのなかよみちこそなけれおもひいる やまのおくにもしかぞなくなる定まり字（決まり字）：歌を特定する字（音）／よのなかよ藤原俊成（皇太后宮大夫俊成）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(83) 歌人／藤原俊成（… 〈上の句〉長らへば またこのごろや しのばれむ 〈下の句〉憂しと見し世ぞ 今は恋しき ながらへばまたこのごろやしのばれむ うしとみしよぞいまはこひしき定まり字（決まり字）：歌を特定する字（音）／ながら藤原清輔（藤原清輔朝臣）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(84) 歌人／藤原清輔（… 〈上の句〉夜もすがら 物思ふころは あけやらで 〈下の句〉閨のひまさへ つれなかりけり よもすがらものおもふころはあけやらで ねやのひまさへつれなかりけり定まり字（決まり字）：歌を特定する字（音）／よも俊恵（俊恵法師）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(85) 歌人／俊恵（俊恵… 〈上の句〉嘆けとて 月やは物を 思はする 〈下の句〉かこちがほなる わが涙かな なげけとてつきやはものをおもはする かこちがほなるわがなみだかな定まり字（決まり字）：歌を特定する字（音）／なげけ西行（西行法師）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(86) 歌人／西行（西行… 〈上の句〉村雨の 露もまだひぬ 槙の葉に 〈下の句〉霧立ちのぼる 秋の夕暮れ むらさめのつゆもまだひぬまきのはに きりたちのぼるあきのゆふぐれ定まり字（決まり字）：歌を特定する字（音）／む寂蓮（寂蓮法師）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(87) 歌人／寂蓮（寂蓮… 〈上の句〉難波江の 葦のかりねの ひとよゆゑ 〈下の句〉みをつくしてや 恋ひわたるべき なにはえのあしのかりねのひとよゆゑ みをつくしてやこひわたるべき定まり字（決まり字）：歌を特定する字（音）／なにはえ皇嘉門院別当菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(88) 歌人／皇嘉門院別… 〈上の句〉玉の緒よ 絶えなば絶えね 長らへば 〈下の句〉忍ぶることの 弱りもぞする たまのをよたえなばたえねながらへば しのぶることのよわりもぞする定まり字（決まり字）：歌を特定する字（音）／たま式子内親王菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(89) 歌人／式子内親王 〈上の句〉見せばやな 雄島の海人の 袖だにも 〈下の句〉ぬれにぞぬれし 色は変はらず みせばやなをじまのあまのそでだにも ぬれにぞぬれしいろはかはらず定まり字（決まり字）：歌を特定する字（音）／みせ殷富門院大輔菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(90) 歌人／殷富門院大… 〈上の句〉きりぎりす 鳴くや霜夜の さむしろに 〈下の句〉衣片敷き ひとりかも寝む きりぎりすなくやしもよのさむしろに ころもかたしきひとりかもねむ定まり字（決まり字）：歌を特定する字（音）／きり九条良経（後京極摂政前太政大臣・藤原良経）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(91) 歌人／九条良経（… 〈上の句〉我が袖は 潮干に見えぬ 沖の石の 〈下の句〉人こそ知らね 乾く間ぞなき わがそではしほひにみえぬおきのいしの ひとこそしらねかわくまぞなき定まり字（決まり字）：歌を特定する字（音）／わがそ讃岐（二条院讃岐・二條院讃岐）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(92) 歌人／讃岐（二条… 〈上の句〉世の中は 常にもがもな 渚漕ぐ 〈下の句〉海人の小舟の 綱手かなしも よのなかはつねにもがもななぎさこぐ あまのをぶねのつなでかなしも定まり字（決まり字）：歌を特定する字（音）／よのなかは源実朝（鎌倉右大臣）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(93) 歌人／源実朝（鎌… 〈上の句〉み吉野の 山の秋風 小夜ふけて 〈下の句〉ふるさと寒く 衣うつなり みよしののやまのあきかぜさよふけて ふるさとさむくころもうつなり定まり字（決まり字）：歌を特定する字（音）／みよ藤原雅経（参議雅経）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(94) 歌人／藤原雅経（… 〈上の句〉おほけなく うき世の民に おほふ哉 〈下の句〉わかたつ杣に すみそめの袖 おほけなくうきよのたみにおほふかな わかたつそまにすみそめのそで定まり字（決まり字）：歌を特定する字（音）／おほけ慈円（前大僧正慈円）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(95) 歌人／慈円（前大… 〈上の句〉花誘ふ あらしの庭の 雪ならで 〈下の句〉ふりゆくものは わが身なりけり はなさそふあらしのにはのゆきならで ふりゆくものはわがみなりけり定まり字（決まり字）：歌を特定する字（音）／はなさ入道前太政大臣（藤原公経）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(96) 歌人／入道前太政… 〈上の句〉来ぬ人を 松帆の浦の 夕なぎに 〈下の句〉焼くや藻塩の 身もこがれつつ こぬひとをまつほのうらのゆふなぎに やくやもしほのみもこがれつつ定まり字（決まり字）：歌を特定する字（音）／こぬ藤原定家（権中納言定家）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(97) 歌人／藤原定家（… 〈上の句〉風そよぐ ならの小川の 夕暮は 〈下の句〉みそぎぞ夏の しるしなりける かぜそよぐならのをがはのゆふぐれは みそぎぞなつのしるしなりける定まり字（決まり字）：歌を特定する字（音）／かぜそ藤原家隆（従二位家隆・正三位家隆）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(98) 歌人／藤原家隆（… 〈上の句〉人もをし 人も恨めし あぢきなく 〈下の句〉世を思ふ故に もの思ふ身は ひともをしひともうらめしあぢきなく よをおもふゆゑにものおもふみは定まり字（決まり字）：歌を特定する字（音）／ひとも後鳥羽天皇（後鳥羽院）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(99) 歌人／後鳥羽天皇… 〈上の句〉ももしきや 古き軒端の しのぶにも 〈下の句〉なほあまりある 昔なりけり ももしきやふるきのきばのしのぶにも なほあまりあるむかしなりけり定まり字（決まり字）：歌を特定する字（音）／もも順徳天皇（順徳院）菱川師宣画［他］『小倉百人一首』 1680年（延宝8）国立国会図書館所蔵"> 小倉百人一首(100) 歌人／順徳天皇… 百人一首
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