1486‐1530 Italian painter of the late Renaissance. Born in Florence. Real name Andrea d'Agnolo di Francesco. Studied under Piero di Cosimo and Franciabigio. A member of the technical school, he combined the merits of Leonardo da Vinci, Michelangelo, and Raphael, and was called "the flawless painter" by Vasari. His representative work, "Madonna of the Alps" (1525), is a classical work that combines various Renaissance techniques, such as symmetrical composition, colors full of light and shadow, and expressive figures, but in "Assumption of the Virgin" (1530), he exaggerates these elements to show Manneristic intensity and failure (Mannerism). Source: Heibonsha World Encyclopedia, 2nd Edition Information |
1486‐1530 ルネサンス末期のイタリアの画家。フィレンツェ生れ。本名アンドレア・ダニョロ・ディ・フランチェスコAndrea d’Agnolo di Francesco。ピエロ・ディ・コジモ,フランチャビジョFranciabigioに学ぶ。レオナルド・ダ・ビンチ,ミケランジェロ,ラファエロの美点を総合し,バザーリによって〈欠点なき画家〉と呼ばれた技巧派。代表作《アルピエの聖母》(1525)は,左右相称の構成,光と影にみちた彩色,表情のある人物など,ルネサンスの諸技法を総合した古典的作品であるが,《聖母の被昇天》(1530)では,以上の諸要素を誇張して,マニエリスティックな激しさと破綻を示している(マニエリスム)。 出典 株式会社平凡社世界大百科事典 第2版について 情報 |
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