...Naturally, the content of the films is often centered on the fate of black people alienated within civilization = colonialism = white society. In Senegal, there are Ousmane Sembène (who studied under Marc Donskoy in Moscow and began making films), as well as Pauline Vieira, Blaise Senghor, Mahama Traoré, and Babacar Sam Macalam (whose first feature film, Kodou, won the Georges Sadoul Prize in France in 1971), Desiré Ecarré in Côte d'Ivoire (which gained independence in August 1960) who made his debut in Concerto for Exile (Grand Prix at the Yale Youth Film Festival in 1968), and Oumarou Ganda in Niger who began making films after appearing in J. Rouch's film I Am Black, but the greatest achievement of J. Rouch's "film education" was his 1974 film Cock-a-doodle-doo! The film, "The Chicken," is a French-Nigerian co-production, and was shot by two black actors, Damre Jika and Lam Ibrahi (both of whom have appeared in other films by Rouch), and Rouch himself, under the name "Dalarou," a composite of the first letters of their first names. According to J. Rouch, "Lam came up with the idea of a documentary film about chicken traders, and we decided to make a feature film based on that theme. Damre and Lam appeared with another colleague, Tarou Mouzrane, and each wrote their own lines, and I recorded simultaneously and filmed the film in a one-scene, one-take style, like a reportage film." *Some of the terminology that mentions "Ganda, V." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…映画の内容も,当然ながら文明=植民地主義=白人社会の中で疎外された黒人の運命を主題にしたものが多い。セネガルにはウスマン・サンベーヌ(モスクワでマルク・ドンスコイに師事して映画を作り始めた)のほか,ポーリン・ビエイラ,ブレーズ・サンゴール,マハマ・トラオレ,ババカール・サム・マカラム(初の長編作品《コドゥー》はフランスで1971年度ジョルジュ・サドゥール賞を受賞),コートジボアール(1960年8月独立)には《亡命のためのコンチェルト》(1968年イェール青春映画祭グランプリ)でデビューしたデジレ・エカレ,ニジェールにはJ.ルーシュ監督《われは黒人》に出演したあと映画を作り始めたウマルー・ガンダらがいるが,J.ルーシュの〈映画教育〉の最大の成果は74年の《コケコッコー! にわとりさん》というフランス・ニジェール合作映画で,ダムレ・ジカとラム・イブラヒという2人の黒人(ともにルーシュの他の映画に出演している)とルーシュの3人が,それぞれの名まえの頭をとって合成した〈ダラルーDALAROU〉の名で撮った作品である。J.ルーシュのことばによれば,〈ラムがニワトリ商人についての記録映画のアイデアを出し,その主題をもとに劇映画を作ることになり,ダムレとラムがタルー・ムズラーヌというもうひとりの仲間と出演してそれぞれ自分のセリフを作り,私が同時録音でルポルタージュ映画のようにワンシーン・ワンカットの手法でカメラを回した〉という作品である。… ※「ガンダ,V.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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