North China Landscape Painting

...Amid the wars of the Five Dynasties at the end of the Tang Dynasty, they built up a grand style based on the characteristics of their respective regions, and Li Cheng, who studied under Jing Hao, and Ju Ran, a disciple of Dong Yuan, played a pioneering role in ushering in the era of synthesis in the Northern Song Dynasty. The diagram of conflict and synthesis between the North and South, which was established over the past few decades, and the diagram of conflict and synthesis between North China landscape painting, which emphasizes spatial composition, and Jiangnan landscape painting, which pursues the effect of the formative materials themselves, became the basic framework that determined the development of the history of Chinese landscape painting thereafter. However, the Northern Song Dynasty was a time when North China landscape painting was mainstream, just like the Tang Dynasty, and Fan Kuan and Guo Xi, who studied under Li Cheng, emerged and achieved a sophisticated spatial expression using the triple distance method, overwhelming Jiangnan landscape painting. ...

*Some of the terminology used in reference to "North China Landscape Painting" is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

…彼らは唐末五代の戦乱の中，それぞれの地方性を踏まえた大様式を築きあげ，荆浩に学んだ李成，董源の弟子巨然らが引き続いて北宋における総合の時代を導きだす，先駆としての役割を果たした。この数十年ほどの間に確立した南北の対立と総合の図式，空間構成を重視する華北山水画と造形素材それ自体の効果もあわせて追究する江南山水画の対立と総合の図式が，以後の中国山水画史の展開を規定する基本的な枠組みとなる。　ただ，北宋時代は唐代と同様，華北山水画が主流をなした時代であり，李成に学んだ范寛，郭熙らが出て三遠法を駆使した精緻な空間表現を達成し，江南山水画を圧倒した。…

※「華北山水画」について言及している用語解説の一部を掲載しています。

出典｜株式会社平凡社世界大百科事典 第２版について | 情報