...Later, those who gained popularity by singing folk songs and popular songs in a similar style were called "Ongakushi." The musical arts performed at vaudeville halls were called "Ongaku Fukiyose" and became popular during the Meiji period. After the Bunka and Bunsei eras (1804-30), many female musicians were born in Edo, and they taught other arts besides the main arts such as Nagauta and Tokiwazu, so they were commonly called "Gomok no Shisho" (masters of five genres). At the end of the Edo period, they also began to teach folk songs and dance, and were called Ongaku Shisho (master of music), Machi Shisho (master of town), Onna Shisho (master of women), etc. ... *Some of the terminology explanations that refer to "Ongaku Fuyukise" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…その後これに似せて俗曲や流行歌(はやりうた)をうたって人気を博したものを音曲師といった。また寄席で演奏される音楽芸を〈音曲吹き寄せ〉と称し明治時代に流行した。また文化・文政(1804‐30)以降,江戸市中に多く生まれた女性の音楽家は,長唄や常磐津などの表芸以外のものも教えたので,俗に〈五目(ごもく)の師匠〉といわれ,幕末には俗曲や舞踊も教えるようになり,音曲師匠,町師匠,女師匠などと呼ばれた。… ※「音曲吹き寄せ」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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