...The motifs include pine, bamboo, and plum, flowers and birds, horses, landscapes, and other motifs that incorporate the style of ink paintings of the time, and some kettles are said to be sketches by Sesshu. Oe Nobuhide was a representative kettle maker from the end of the Muromachi period, when porcelain was at its peak, and he has left us with the only kettle with a date inscription, the Pine and Plum Design True Kettle (inscribed 1517, Eisho 14), housed at the Nezu Museum. As time went on, casters moved to Ise, Echizen, and Banshu, and produced Ise Ashiya, Echizen Ashiya, and Banshu Ashiya.... *Some of the terminology explanations that mention "Oe Nobuhide" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…文様としては松竹梅,花鳥,馬,山水図等,当時の水墨画の趣を取り入れており,雪舟の下絵と称する釜もある。最盛期である室町時代末期の代表的釜師に大江宣秀があり,唯一の紀年銘釜として根津美術館蔵の《松梅図真形釜》(永正14年(1517)銘)をのこしている。時代が下ると伊勢や越前,播州にも鋳工が移り住み,伊勢芦屋,越前芦屋,播州芦屋を製作した。… ※「大江宣秀」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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