...At Bazin's urging, he began writing for the film criticism magazine Cahiers du Cinema, which was launched in 1951, and also wrote harsh reviews for the weekly magazine Arts, where he was nicknamed the "gravedigger of French cinema." In 1958, he founded the film production company Les Films du Carrosse, named after Jean Renoir's film The Golden Coach (Le Carrosse d'Or), and released the short film La vie en vie (after which, he produced all his films through his own company, protecting the independence of his filmmakers). His next film, The 40s, won the Grand Prix at Cannes, and he was heralded as one of the "flagships of the French New Wave" alongside Jean-Luc Godard and Claude Chabrol, who made their directorial debuts in the same year. ... *Some of the terminology explanations that refer to "The Golden Carriage" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…バザンのすすめで1951年に創刊された映画批評誌《カイエ・デュ・シネマ》に筆をとり,また週刊誌《アール》の映画批評欄でも,当時のフランス映画の〈名匠〉たちを否定するしんらつな筆をふるって〈フランス映画の墓掘り人〉とあだ名された。58年,ジャン・ルノアール監督の《黄金の馬車(ル・キャロッス・ドール)》から名まえをとった映画製作会社レ・フィルム・デュ・キャロッスを興し,短編《あこがれ》を発表(以後,作品はすべてこの自分の会社によって製作し,作家の独立性を守った)。つづく《大人は判ってくれない》はカンヌでグランプリを受賞し,同じ年に監督デビューしたジャン・リュック・ゴダール,クロード・シャブロルらと並んで〈ヌーベル・バーグの旗手〉と騒がれた。… ※「《黄金の馬車》」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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