...The one-person puppet format remains in the Tsume puppet of Bunraku, the Kuruma puppet of Hachioji, Tokyo, and Otome Bunraku, but the method of inserting a hand behind the tezuma puppet and moving its head with a pulling string eventually developed into a three-person puppet. Three-person puppetry like that of today's Bunraku was also present at the Edo Magoshiroza in the Genroku period, but it was not until 1734 (Kyoho 19) that it was fully utilized with the Yokanpei and Nokanpei puppets in Ashiya Doman Ouchi Kagami. All of Chikamatsu Monzaemon's Joruri were performed using the one-person thrust puppet technique. ... *Some of the terminology used in reference to "Edo Magoshiro-za" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…一人遣いの形式は,文楽のつめ人形や東京八王子の車人形,乙女文楽に残っているが,手妻人形の背後から手を差し込み引き糸で首を動かす方法は,やがて三人遣いに発展した。 今日の文楽のような三人遣いは元禄期の江戸孫四郎座にもあったが,本格的に活用されたのは1734年(享保19)の《蘆屋道満大内鑑(あしやどうまんおおうちかがみ)》の与勘平・野干平の人形からである。近松門左衛門の浄瑠璃はすべて一人遣いの突込み操法であった。… ※「江戸孫四郎座」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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