…In 1802, he made his name with his translation of T. Gray's Lament for the Grave, and emerged as a sentimental poet of the Karamzin school. From 1815 onwards, as a member of the Arzamas Society, which aimed for poetic innovation, he became a central Romantic poet. Later, he became tutor to Tsar Nicholas I and his son (later Alexander II), and helped to soften the Tsar's heart and save writers (such as Pushkin, Gogol, and Shevchenko) from a cruel fate. … From [Bartyuschkov]…He had a deep knowledge of languages, including French, Italian, and Latin, and was particularly influenced by Parnyi, Tasso, and Petrarch, and tried to introduce Italian elegance and melody into Russian poetry. Around 1810, he joined the Karamzin school and became a member of the Arzamas Society (1815-18), which aimed to create a new literary style in opposition to classicism and adherence to the archaic language. His translations of poems, From an Anthology of Greek Poetry (1817-18), had a great influence on Russian poets, including Pushkin. … *Some of the terminology that refers to the "Arzamas Society" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…1802年T.グレーの《墓畔の哀歌》の翻訳で文名をあげ,カラムジン派のセンチメンタリズム(主情主義)の詩人として世に出た。15年以降,詩的革新を目指すアルザマス会の一員として,ロマン主義の中心的詩人となった。のち,皇帝ニコライ1世,その皇太子(のちのアレクサンドル2世)の傅育官(ふいくかん)となり,皇帝の心をやわらげ,作家たち(プーシキン,ゴーゴリ,シェフチェンコなど)を過酷な運命から救った。… 【バーチュシコフ】より…フランス語,イタリア語,ラテン語など語学の素養が深く,特にパルニー,タッソ,ペトラルカの影響を強く受け,ロシア詩の中にイタリア風の流麗さとメロディを導き入れようと努めた。1810年ころ,カラムジン派に加わり,古典主義や古語遵守派に抗して新しい文学創造を目指すアルザマス会(1815‐18)のメンバーとなった。訳詩集《ギリシア詩アンソロジーより》(1817‐18)は,プーシキンをはじめとするロシア詩人に大きな影響を与えた。… ※「アルザマス会」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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