... Satie was almost the same age as Debussy, but after World War I, his simple and raw music was the first to rebel against the prewar aesthetic sense of Wagner, Romanticism, and Debussy. Then, with J. Cocteau as the initiator, the "Six" with Honegger, Milhaud, and Poulenc launched the first avant-garde movement after the war (1918), and next came Henri Sauguet (1901-89), who, together with R. Desormières and others, formed the "School of Arcueil" which looked up to Satie as its mentor. Meanwhile, the exiled Russian Stravinsky had already made a shocking presence on the eve of the war with "The Rite of Spring" and other works, but after the war he expanded the scope of his influence while aiming for neoclassicism. ... *Some of the terminology that refers to the "Arcueil School" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
… サティは,ドビュッシーとほぼ同年輩であるが,第1次世界大戦後その単純でむきだしな音楽が,戦前の美意識――ワーグナー,ロマン派,ドビュッシー――への反逆の先鞭をつけた。そしてJ.コクトーを仕掛け人としてオネゲル,ミヨー,プーランクらの〈六人組〉が戦後最初の前衛活動をおこし(1918),次にきたソーゲHenri Sauguet(1901‐89)はR.デゾルミエールらとサティを先達と仰ぐグループ〈アルクーユ楽派〉を結成した。一方,亡命ロシア人ストラビンスキーが,既に大戦前夜《春の祭典》ほかで衝撃的な存在になっていたが,戦後は新古典主義を志向しつつ影響の範囲を広げた。… ※「アルクーユ楽派」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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