...From the mid-16th century, Tylman Susato (c. 1500-61 to 64) and Pierre Phalèse (c. 1510-76) and others who started publishing music in Antwerp and worked to popularize music also made a great contribution. In the 17th century, music from Italy, France, and then Germany became mainstream, and Abraham van den Kerkhoven (1618?-1701) in organ music, Gioseffo Zamponi (?-1662) in opera, and Pietro Antonio Fiocco (c. 1650-1714) in church music were active, and the Ruckels family produced excellent harpsichords. Musical activities also became popular among citizens, in addition to the court and churches, and the collegium musicum (Latin) was established in various cities by enthusiasts. ... *Some of the terminology that mentions "Zamponi, G." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…16世紀中ごろから,アントウェルペンで楽譜出版業を開始し音楽の普及に努めたスザトTylman Susato(1500ころ‐61から64)やファレーズPierre Phalèse(1510ころ‐76ころ)らの功績も大きい。17世紀に入ると,イタリアやフランス,ついでドイツの音楽が主流を占めるなかで,オルガン音楽のケルクホーフェンAbraham van den Kerkhoven(1618?‐1701),オペラのザンポーニGioseffo Zamponi(?‐1662),教会音楽のフィオッコPietro Antonio Fiocco(1650ころ‐1714)などが活躍,ハープシコード製作でもリュッケルス一族が名器を作り出していた。また,音楽活動は宮廷や教会のほか,市民の間でも盛んとなり,諸都市に愛好家によるコレギウム・ムシクムcollegium musicum(ラテン語)が誕生した。… ※「Zamponi,G.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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