…Henry VIII favored composers such as R. Fayrfax (1464-1521) and W. Cornysh (c. 1468-1523), encouraging French chanson, which was popular at the time, and composing his own music. In addition, with the establishment of the Church of England in 1534, the need for new church music arose, and composers such as J. Taverner (c. 1490-1545), T. Tallis, and C. Tye (c. 1500-1572) composed services and anthems. In addition to this church music, from the Elizabethan era to the reign of James I, madrigals, airs, and lute songs in the typical Renaissance style became popular, and in the field of instrumental music, lute music, keyboard music (especially virginal music), and ensemble pieces called consorts became popular. … *Some of the terminology that mentions "Tye, C." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…ヘンリー8世はフェアファックスR.Fayrfax(1464‐1521)やコーニッシュW.Cornysh(1468ころ‐1523)らの作曲家を優遇し,当時流行中のフランスのシャンソンを奨励するとともにみずから作曲をも手がけている。また1534年の英国国教会成立に伴い新しい教会音楽の必要性が生じ,タバナーJ.Taverner(1490ころ‐1545),T.タリス,タイC.Tye(1500ころ‐72ころ)などの作曲家たちがサービスやアンセムを作曲した。エリザベス朝からジェームズ1世時代にかけてはこうした教会音楽のほか,典型的なルネサンス様式によるマドリガルやエア,リュート歌曲などが盛んとなり,器楽の分野でもリュート曲,鍵盤音楽(特にバージナル曲),コンソート曲と呼ばれる合奏曲などが人気を集めた。… ※「Tye,C.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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