... In 1922, Milhaud traveled to America for the first time and was initially captivated by the performances of white dance bands, but experienced a major culture shock when he heard black bands in Harlem. He brought back all the race records he could get his hands on (cheap records for black people. They became synonymous with black popular music, but after World War II the discriminatory term race was dropped and black popular music came to be called rhythm and blues) and a portable player, and wrote the ballet La création du monde (1923), which is said to be the first work to use the jazz idiom. ... *Some of the terms that refer to "race record" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
… 22年,初めてアメリカに旅したミヨーは,はじめ白人ダンス・バンドの演奏に目を奪われたが,ハーレムの黒人バンドを聞くに及んで大きなカルチャー・ショックをうける。ミヨーは手に入るだけのレース・レコードrace record(黒人向けの廉価盤。黒人大衆音楽の代名詞ともなったが,第2次大戦後は差別的なraceをやめ,黒人大衆音楽はリズム・アンド・ブルースと呼ばれる)とポータブル・プレーヤーを持ち帰り,ジャズ・イディオムを用いた最初の作とされるバレエ曲《世界の創造La création du monde》(1923)を書いた。… ※「race record」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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