Gogh, T. van (English spelling) GoghTvan

In the 19th century, the number of public art museums and art exhibitions increased, and instead of the royal courts and churches that had been the patrons of artists, capitalists and businessmen started collecting for investment and speculation. Influential art dealers such as Georges Petit, Wildenstein, Seligman, and Naedler emerged. In particular, the Durand-Ruel Company, which had been paying attention to the Barbizon School and the Impressionists even when they were still unknown and persuaded their customers, Le Père Tanguy (1825-94), a small art dealer who was popular with Post-Impressionist painters, and Théo van Gogh (1854-91), who was conservative but handled his brother's friends, are considered modern art dealers. From the end of the 19th century onwards, Vollard held a series of solo exhibitions of works by Cézanne, Van Gogh, Matisse, Maillol, and others, published a luxurious collection of lithographs, and unearthed forgotten artists of the past, becoming a typical 20th century art dealer.

*Some of the terminology that mentions "Gogh, T. van" is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

…　19世紀になると，公立美術館や美術展覧会が増加し，それまで芸術家のパトロンであった宮廷や教会に代わって，資本家，実業家による投資や投機のための収集がふえ，ジョルジュ･プティ，ウィルデンスタイン，セリグマン，ネードラーら有力画商が輩出した。とりわけ，バルビゾン派や印象派に無名時代から注目して顧客を説得したデュラン=リュエル商会，後期印象派の画家たちに親しまれた小画商〈タンギー親爺Le Père Tanguy〉(1825‐94)，保守的ながら兄の友人たちをとりあげたテオ･ファン･ゴッホThéo van Gogh(1854‐91)らが，近代画商としてあげられる。　19世紀末以降，ボラールはセザンヌ，ゴッホ，マティス，マイヨールらの個展を続々と開き，豪華本の石版画集を刊行し，忘れられた過去の画家たちを発掘して，20世紀画商の典型となった。…

※「Gogh，T.van」について言及している用語解説の一部を掲載しています。

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