Getto, G. (English spelling) GettoG

Japanese: Getto，G.（英語表記）GettoG

...He transferred the characteristics of the Roman Baroque architecture and decoration by Bernini and Borromini, such as the dominance of curves, the dynamic unity of the whole, and the emphasis on facades, to the literary dimension, and he considered the following typical Baroque works: the court ballet in which the witch Circe and the shape-shifting sea god Proteus play an active role, and in which magic castles, the Argonauts, strange animals, and Saint Ignatius appear one after another; the plays of Lotrou, Scudéry, and Corneille, in which the protagonists pretend to be insane or disguised, or fall into confusion due to double identities and mistakes; and the poems of de Brive, La Menardière, and de Bio, which sing of fleeting, floating things such as whirlwinds, clouds, bubbles, trembling water, and flames. Giovanni Getto, in regard to Italian literature, cites the philosopher Bruno, who was burned at the stake by the Inquisition, Campanella, who is famous for "The City of the Sun," and Marino. In "Heroic Madness," Bruno sings of Actaeon, who pursues Artemis, the goddess of truth and beauty, even at the cost of his own life: "The butterfly that flies towards the light that tempts its soul, does not know the fate of its own body, which will be burned by the flames and perish."

From Piedmont

...The exile also served as an opportunity to connect the intellectuals of the north with the people of the south, and major Sicilian writers such as E. Vittorini and L. Sciascia made Einaudi their literary base. The names of Gianfranco Contini (1912- ), professor at the universities of Florence and Pisa, who achieved the highest level of literary research after the war, Giovanni Getto (1913- ), professor at the University of Turin, and A. Momigliano, a famous professor at the University of Florence before the war, cannot be overlooked as natives of the Piedmont region. Among the newer generation, there is E. Sanguineti, who was assistant to Jet at the University of Turin and is now a professor at the University of Genoa, and U. Eco, who was also assistant in the philosophy department at the University of Turin and is now a professor at the University of Bologna. ...

*Some of the terminology that mentions "Getto, G." is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

Japanese:

…彼はベルニーニやボロミーニの手になるローマのバロック建築と装飾の，曲線の支配や全体の動的統一やファサードの強調といった特徴を文学の次元に移行させつつ，魔女キルケや変幻自在の海神プロテウスが活躍し，魔法の城やアルゴ船の一行や奇怪な動物や聖イグナティオスらが次々に登場する宮廷バレエとか，主人公が狂気を装ったり変装したり，瓜二つとか取違えのために混乱に陥ったりするロトルーやスキュデリーやコルネイユの演劇，旋風，雲，水の泡，震える水面，炎等の束の間の浮動するものを歌ったド･ブリーブ，ラ･メナルディエール，ド･ビオの詩をバロックの典型とした。　イタリア文学についてはジェットGiovanni Gettoは，哲学者で宗教裁判で焚刑にあったブルーノ，《太陽の都》で有名なカンパネラ，マリーノらの名を挙げる。《英雄的狂気》の中でブルーノは身を滅ぼしても真理と美の女神アルテミスを追うアクタイオンのことを〈心誘う灯火に向かって舞い飛ぶ胡蝶は炎にやかれて亡ぶ身の末を知らず〉と歌う。…

【ピエモンテ[州]】より

…また流刑を機会に，北の知識人と南の民衆の心とが結ばれ，E.ビットリーニやL.シャッシャら，シチリア出身の主要な作家たちが，エイナウディ社を文学上の拠点とするようにもなった。　また，戦後の文学研究において最も高い水準に達した，フィレンツェおよびピサの大学教授コンティーニGianfranco Contini(1912‐　)，トリノ大学教授ジェットGiovanni Getto(1913‐　)，そして戦前の高名なフィレンツェ大学教授A.モミリアーノらの名も，ピエモンテ地方の出身者として名を逸するわけにはいかない。より新しい世代のなかでは，トリノ大学でジェットの助手を務め現在ジェノバ大学教授のE.サングイネーティと，同じくトリノ大学で哲学科の助手を務め現在ボローニャ大学教授のU.エーコがいる。…

※「Getto，G.」について言及している用語解説の一部を掲載しています。

出典｜株式会社平凡社世界大百科事典第２版について | 情報

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