Fohr, CP (English spelling) FohrCP

…Initially, Fohr represented the German tendency, leaving behind works of poetic sentiment that went beyond stylistic imitation, but after his early death, Overbeck, who represented the Italian tendency, took the lead, and new painters joined in. To make up for their lack of training, they often used each other as models to draw with the medieval German detail, and many of these portrait drawings, which are full of intimacy and insight into character, are excellent works, especially those of Carl Philipp Fohr (1795-1818), who died young. However, in their quest to revive past norms, they tended to lean toward dogmatism and eclecticism, and were too individualistic to form a unified style. …

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Source | Heibonsha World Encyclopedia 2nd Edition | Information

…当初はフォルがドイツ的傾向を代表し，様式模倣を越えた詩情ある作品を残したが，彼の早世後はイタリア的傾向を代表するオーバーベックが中心となり，新しい画家も加わった。訓練不足を補う意味もあって，彼らはしばしば互いをモデルに〈中世ドイツ的〉細密さでデッサンしたが，親密さと性格洞察を備えたこれら肖像デッサンには好作品が多く，とくに夭逝したフォールCarl Philipp Fohr(1795‐1818)の作品はみずみずしい。しかし過去の規範の再興を目ざす彼らは教条主義，折衷主義に傾く嫌いがあり，また統一様式を形成するには個人主義的でありすぎた。…

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