...On the other hand, in the 19th century, there were many examples of composers and performers working together to successfully harmonize sophisticated performance effects with the composer's pursuit of his own style. Ferdinand David (1810-1873) collaborated with Mendelssohn on his Violin Concerto, and Schumann, Bruch, Brahms, Dvorak and others wrote excellent concertos for J. Joachim. Violin pieces from the second half of the 19th century that attempted to combine high virtuosity with excellent musicality include E. Lalo's Concerto Español (1873), dedicated to the contemporary virtuoso P. de Sarasate, and Saint-Saëns' Violin Concerto No. 3 (1880). Sonatas include Brahms' three sonatas (1879, 1886, 1888), C. Franck's masterpiece (1886) dedicated to the Belgian virtuoso E. A. Ysaye, and the Norwegian lyricist E. Grieg's No. 3 (1887). These pieces form important concert repertoire today. *Some of the terminology that mentions "David, F." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…他方19世紀には,作曲家と演奏家が協力し合い,高度な演奏効果と作曲家の個人様式の追求を調和させることに成功した例も少なくない。メンデルスゾーンの《バイオリン協奏曲》にはダーフィトFerdinand David(1810‐73)が協力し,J.ヨアヒムのためには,シューマン,ブルッフ,ブラームス,ドボルジャークなどが優れた協奏曲を書いている。高度の名人芸を優れた音楽性に結びつけようとした19世紀後半のバイオリン曲には,同時代の名演奏家P.deサラサーテにささげられたE.ラロの《スペイン協奏曲》(1873)やサン・サーンスの《バイオリン協奏曲第3番》(1880),またソナタとしては,ブラームスの3曲(1879,86,88),ベルギーの名手E.A.イザイエにささげられたC.フランクの傑作(1886),ノルウェーの抒情性に富んだE.グリーグの第3番(1887)などがあり,今日の演奏会の重要な曲目を形成している。… ※「David,F.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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