...In fact, in the 18th century, the style of religious lyric poetry, freely written in the style of oratorio, and secular dramatic music began to overwhelm the epic drama of the Bible. Examples are "The Bleeding and Dying Jesus" (Bloed Jesus) by the Hamburg poet Barthold Heinrich Brockes (1680-1747) and "The Passion of Jesus Christ" (La Passione di Gesù Cristo) by the famous Italian opera lyricist Metastasio. These texts almost completely exclude the words of the Bible, but the former was composed by Handel, Telemann, R. Kayser, and Mattheson, and the latter by Caldara, N. Jommeli, and Paisiello. ... *Some of the terminology that refers to "The blutige und sterbende Jesus" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…事実18世紀に入ると,オラトリオ風に自由に詩作された宗教的抒情詩と世俗的劇音楽の様式が,聖書の叙事的なドラマを圧迫するようになった。ハンブルクの詩人ブロッケスBarthold Heinrich Brockes(1680‐1747)作詞の《血を流し,死なんとするイエスDer blutige und sterbende Jesus》と,イタリア・オペラの作詞家として有名なメタスタージオの《イエス・キリストの受難La Passione di Gesù Cristo》はその例である。これらのテキストでは聖書の言葉はほとんど完全に排除されているが,前者はヘンデル,テレマン,R.カイザー,マッテゾンらによって,後者はカルダーラ,N.ヨンメリ,パイジェロらによって作曲された。… ※「《Der blutige und sterbende Jesus》」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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